Two cops chase on the highway. The two have seen terrible: desecrated bodies, gemetzelte children. Dense forests pull over, the light falls rusty on the asphalt. “Have you ever wondered whether you’re a bad person?” Asks one of them. “Why should I?” Replies the other and tightens on his cigarette. “The world needs bad people. They keep other bad people from getting to come in.”
A grandiose scene. Unfortunately, it is not out of the new Munich “crime scene”. Who’s talking about as bleak, are not the commissioners Aerobatic and Leitmayr, but Cohle and hard from the American crime series “True Detective”. Here, a comparison is certainly worthwhile, because both teams are behind Kinderquälern now, both are anti-heroes, cops who despair of their profession and to the world. But the country through which they hunt is not Louisiana, but Bavaria. Here, the ratio is always correct, as long as the audience gets what he expected.
While “True Detective” is told visually overwhelming, with brilliant dialogues and characters their awareness Broken knocks one of the “crime scene” in nine cases out of ten is nothing more than a bland clichés preserve of the middle-class storage chamber of the national broadcasters. The new case from Munich is indeed one of the better, he reveals the intricate dependencies between victim and perpetrator and shows how thin can be the boundary between care and abuse, much more but he does not dare. No character development, no picture ideas, no records that burn themselves.
Must be so? Of course not. For just as the US television also has the “crime scene” a pretty budget of several million euros, with which something can do. This was the case shown Tukur “Born in pain,” the only outstanding, really brave production in 2014 – the rest were Neunzigminüter of the rod. In general, the “crime scene” is light years away from the force, the boldness and mystery of the US crime fiction. Were it not for the “Police” (Rostock / Munich!), You could lie in the same bath on Sunday night instead of in front of the telly.
Therefore, a fervent wish for the new year, dear “Tatort” -Macher: Dare what you will, american
28th December 20th 15 clock, AR D
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