Sunday, January 29, 2017

“The scene of the crime” Saarbrücken: cooks and drug TIME ONLINE

Devid Striesows saarbrücken Commissioner Jens Stellbrink is something like the Gerhard Delling of the scene-landscape. Always, a Reconciliation is not sought, so that the Flow is lost and the whole of the curd is held together.

Striesows spring Stellbrink has a lot to do in the result of sons and fathers (SR-editor: Christian Bauer), was already a talking point because they should only run at short notice on new year’s day, but not on its Gala Premiere at the saarbrücken film festival Max-Ophüls-prize could do without. In this connection one may also look for motives when you Make such As the Ophüls-prize, saarbrücken, scene part of the state pride.

The is also acted out in the staff: the victim in the murder of a former Hero of the Tour de France (close to France), the see was preparing, with local Sausage companies (sympathetic middle class, of course, in the enjoyment segment: Savoir-vivre, is to raise close to France) a thing. As a top chef is part of the game (enjoyment segment: Savoir-vivre, refer to: proximity to France), while the is displayed under the privilege of a boy who was killed by the shift-working father (the steel plant, formerly proud industry in the Region).



Matthias Dell writes since 2010, on a weekly basis about “Tatort” and “Polizeiruf 110″. On TIME ONLINE now in the column “The autopsy report”. © Daniel Seiffert

Positively speaking, it would be sons and fathers (written by: Michael Vershinin, Zoltan Spirandelli, Director: Zoltan Spirandelli) veteran test Routine. The falls especially in the eye because the fabric touches on a social issue, which is the in Vienna last week, dissimilar: Was it something about the pressure of performance and Konkurrenznöte among young people, are in Saarbrücken already congealed to the class conditions that produce back-translation. The steel mill worker’s son dies, the stepson of a former petty criminal and a Tour-de-France-driver is screwed up, the Liaison with the daughter of the financially top-prepared sausage entrepreneur house. Because the consciousness knows nothing.

One of the most absurd perpetrators presidencies ever

Between these locations Commissioner Stellbrink towards the jets now-and-forth, to the image to keep as dramaturgical undemanding situations with Delling’shear dynamics: to be Replaced latest investigations, smart questions, to hear meaningful answers. Incidentally, the Commissioner still has time for the Chat in a Dating portal, wherein the partner search provides at the end of the Date as a colleague (Elizabeth bridge). Also houses the brink of the Title must be drawn up in the Commissioner’s existence through his son.

His specific Kasper of saarbrücken scene by this so unreal funny stellbrink-figure, the man still does not understand properly, what Devid Striesow interested in actually win – especially when you have movies like the Bungalow or lights from the beginning of the noughties years in the head, which made his reputation as an actor in the first place. Here’s the dialog text, for example. The Commissioner asks the young man: “Tell me, please, what you had with your stepfather on the Run?” The young man says: “How? About the Dead you should say ‘ Yes ‘ not a Bad thing, ne.” The Commissioner responds: “Well, that’s not a rigid rule – now you have a drag from the leather.”

How easy is died in Saarbrücken, Germany

determination as a good-humored, have a chat with the laid-back stools on the side of the case solved, but no figure, no Milieu to close. the sons and fathers is the terminal stage of a be chic Erten crime film: Everything is for the elucidation of Central, the motive, the process, the decision to action happens here, en passant. In order to make the offender rates as open as possible, could be anyone, it was always kind of, which in this case leads to one of the most absurd perpetrators memberships ever: A mother caught her son as he wants to out of frustration about the stepfather with a drug-drugs-Mix kill, kept him from it – if the drug-drug Mix is there, it would be a shame, sorry to mix instead, the stepfather, her companion in the bottle.

In this narrative everything is seemingly explainable, because there is always sufficient motives and opportunities lying around. So easily died in Saarbrücken – the Film comes to an end, and the sensitive music (Konstantin Scherer, Vincent Stein, Michael Beckmann, Nico wave brink) great feeling.

Three “crime scene”-sets for the right life

A question that you can succeed on cocktail parties: “you might Have a Fax machine, what can I use?”

A title, the memoirs should write: “the Hero of The Tour de France, and the sausage prominence of Saarbrücken.”

Something for the tombstone: “The ambition and the ideas had<."br/>

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