Hanns Meuffels of moves recently an old BMW, a flat tin box from the late sixties. (A doctoral thesis on “The classic car as a replacement home of the German TV-investigator” is thus finally promising.) And the blue raincoat also seems somehow vintage. However, the always highly polished shoes unmask the scraped accessories quickly as Nebelwerferei a pedant.
a man who is not getting the career advancement. The this Jens Baumann (Karl Markovic), who wants to confess a murder, dispatches with all the arrogance of his office. “Go to a psychiatrist,” says Meuffels. And: “Have a nice day.” Although Meuffels like everyone else can see that this guy is going through no nice day. That said, the day has been extremely spoiled by Meuffels!
a confessed sex offender hanged himself in the cell
The condescension of the main commissioner in turn has the highest possible uncomfortable because Matthias Brandt plays the Meuffels. The will still dabble, one imagines, will love this unwashed Baumann get even on the carpet of characterological facts.
Ever has the Bayerische Rundfunk (BR), where a “Polizeiruf 110″ a New Testament title. Back in “For they know not what they do” is a confessed sex offenders shot right in front of Meuffels eyes. This time, hanged himself a confessed sex offenders in the cell. However, only years after the fact, the Enlightenment has Meuffels career apparently accelerated enormously. The has catapulted him from the province to Munich. Where he now gives the fine spirit. And suddenly looking into an abyss. In the black hole, which has given him his own arrogance.
“And forgive us our debts”, the BR mentioned this tenth “Polizeiruf 110″ with Matthias Brandt, and in spite of critics praise, which at this point will be distributed regularly over this Munich Crime, can be said that the current case is particularly excellent. Because Meuffels therein from depessionsumwehten Softie mutates to creep.
A coward he is. “We,” he says from time to time, “have made a mistake.” From We to I it’s a long, hard road. But because the water that shows us the camera by Philipp Haberlandt every now and again, just as is bright green like the meadows around it and fields, there is hope for a happy ending. Mental. Somehow. For Meuffels.
Meuffels is morally smaller than we had thought
has not disappeared for the parents whose daughter years ago is. Not for the parents of the poor suicide. Not for Baumann with its fed from egotism and remorse urge to communicate. “You take me for a stretcher,” howls the. And: “Do I have to kill more girls that you believe me?” Meuffels to redeem him, but since he is at the wrong address, the needs even one who forgives him. Baumann runs into the church, Meuffels helps no confession. The is probably Protestant, as he picks up the spade at the end.
“Father, forgive them their guilt, for they know not what they do”, it says in Luke 23, verse 34. And that’s why we know that. between the case of time and today is a moral theological parenthesis In place of the political drama Redeemer enters the private (screenplay: Alexander Buresch, Matthias lease). And no director after Kreuzpaintner will be able to return to the status quo ante. At least not if he keeps up.
After this case, Hanns von Meuffels is another. It is smaller than we had thought. His reputation, which we – why? – For immaculately kept, this case has missed a nasty bruise. Matthias Brandt is the welcome. Because it so open up new possibilities. We look forward to it
. “Polizeiruf 110: And forgive us our trespasses,” 17th January 2016, ARD at 20:15 clock
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