family and career, difficult subject. Especially as a Commissioner. It mixes ever dangerous one with the other. Just as in Sunday’s “crime scene” with Maria Furtwängler as Commissioner Lindholm: As a meat producer who turned out to be murderers in the end, the investigator for the birthday of his young son sent unsolicited dubious sausage products. The single Lindholm had once again had no time to buy gifts.
You can call this scene strikingly, perhaps it is even a little mean overwhelmed with regard to the representation appearing single mothers. And yet, Charlotte Lindholm is one of the most modern and most diverse female identity designs in the “Tatort” country
She lived with a good friend in an apartment, received there but also changing lovers.. She let it be taking too pregnant to determine on dangerous ground. And in spite of her son, she persists on investigating the really controversial cases on site. At home, then the young at heart Single-grandmother cares for her son. By the boss, there are sometimes testosterone compliments for the exemplary task completion: “They are our best man.” Höhöhö.
The lifetime of TV commissioners grows
The machismo is therefore not to dislodge from the “crime scene”. Just as in the rest of society either. And yet the ARD crime series proves a certain mover: The decision of the coalition quota of 30 percent in German supervisory boards of larger companies – Investigators in the field of “Tatort” it has long enforced. If one looks over the years, the gender distribution in all new first-run, the 30-percent mark was hit three years ago:
Until then, however, it was a long way. In the early days of the “crime scene” Women were most secretaries. In 1978, took over as investigator Nicole Heesters Buchmüller same as chief homicide in Mainz. She dressed stressed female, was in dealing with male colleagues but stresses harsh. The figure held by only four episodes – but paved the way for many more stubborn fellow.
In the eighties and nineties there was a boom of Commissioners – some with extremely long life time television. (See our extensive image gallery the main investigators.) In 1989 in the “Tatort” occurring for the first time Ulrike Folkerts recently celebrating
So could about the role of the Ludwigshafen Commissioner Lena Odenthal its 25th television service awards. Sabine Postel as Inga Lürsen in Bremen is 17 years there and Eva Mattes as Klara Blum in Konstanz least twelve
In the early years with female investigators ran an average of only twelve “crime scenes” per year -. A third of the current number , Just once a year, leaving the ARD of a woman on stage. The exact proportion of women in the diagram (see above) fluctuates because of the then newly launched investigation teams – where two men determined instead of just one, so does the proportion of men.
As the nineties, the sequence number per year increased, the number of investigators, which is becoming more common now as a duo or equal to larger team grew. The mixed doubles from Commissioner and Commissioner has become more the rule than the exception. In the new Dresden “Tatort”, scheduled for launch in 2016, three police officers will occur next to each other.
The quota for women on Sunday evening should therefore continue to rise. What on its own, however, still has no value. Does not always have the commitment to a female protagonist for a strong female character: The once glorious Coming Lena Odenthal about now haunts often as seemingly dead by the act, without love, without hope, only with cat and WG-mate
<. p> And the youngest investigators access, which is really great so far Alina Levshin as Johanna Grewel in Erfurt no more than a decal law nerd. Quota good character weak. There’s what goes in the “crime scene”.
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