Wednesday, September 24, 2014

Movie: “Phoenix”: Nina Hoss over stage fright and her new film – ABC Online

Monday, 09.22.2014, 14:07
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Nina Hoss (39) plays in her new film” Phoenix “the Holocaust survivor Nelly. Seriously injured and psychologically traumatized versa Nelly after the war in their hometown Berlin back -. Yet her husband Johnny, played by Ronald Zehrfeld, it does not recognize

“Nelly does not know himself More. That’s why Johnny can not detect it, “says actress Hoss in an interview to the news agency dpa its role

. Question: Some Holocaust survivors say: Why did I survive, I would rather be dead as well as all my relatives. These people have survived the Nazi atrocities, the concentration camp, come back and nothing can be good …

A: There is nothing good. And sometime Nelly is at a point where she wonders: I have all this might not be seen? Because all the people around them the subject displace such. The goal of the concentration camps was to wipe out the people – to deprive them of their personality and to break their will until they only work like animals. You feel no more than people. My main work for this role was to find out how the state as a person comes close. What does it mean for him to come back again – both physically and mentally. Nelly must make aware: Yes, I have experienced this and have to talk about it. But: There is no one who listens to her. This is the next blow

“you no one will ask”

. Q. Why no one wants to hear Nelly’s tale of woe

Answer: The people themselves want the amount of what has caused this country, do not ask. And you can not ask innocently. That’s why Johnny has terrible enough, right when he says to Nelly: no one will ask you

Question:. One sees Nelly also externally what she has suffered. She is a broken man. How do these experiences affect the physicality of a man and how you have tried to portray the

Answer: I’ve been thinking that you really lose all femininity. The women have no hair, no hip movement. They were treated like cattle. They have ceased to exist as a woman. To be One can only imagine the basic idea of ​​how the actual feels so entirely stripped of his identity. Nelly has had a toughness that she has all that survive. When she is rescued, she is like a ghost, like a corpse. How to play the

Out of sheer trauma …

Q: Why Johnny does not recognize his own wife

Answer: Nelly knows himself no longer . That’s why Johnny can not recognize them. Because it does not exist anymore. The addition Traumatic is that he does not recognize her, but recovers – she is so used again. You have to take apart emotionally first. Otherwise you do not know what to play for sheer trauma. There were scenes where I thought I was, or Nelly, can only laugh yet, because the horror is so terrible. This is such a displacement activity, because one thinks: I can not cope. Then they laugh slightly hysterical. There are not many reports of people who were interviewed directly after surviving. In which displacement state you’re there, how can these people of the world are again or would they just disappear

Question: On the big screen you do with your presentation Nelly virtually invisible – they use this acting ability also to make in real life sometimes invisible and can unmolested by fans walking the streets

Answer: Yes, I can very well

Question:. comes Nelly seriously injured, with destroyed face, from the concentration camp Auschwitz. At first you are not externally visible in the film as Nina Hoss – as they were externally altered for the film? With the help of makeup artist

Answer: Yes, this is made up. With dark furrows in the face. ., And I wear a wig in a kind of non-color, gray-brown like a mouse

“Christian Petzold is a phenomenal writer”

Question: “Phoenix” is the sixth movie you rotate together with Christian Petzold. Why are you so successful artistic couple? Why do you always turn back together

Answer: Christian Petzold’s just a phenomenal writer. His stories deal with the state of Germany. That interests me. Because he so accurately hinguckt. When I play a character of Petzold, I always tell two things simultaneously: Something about Germany and in detail about the figure. That is quite rare. There is always a second level

. Question: You not only face the film camera, but also play theater – you have after all these years and success even stage fright

Answer: Je? experienced you are, the better you know the things that can go wrong. Therefore, the stage fright is greater. But now I can move pretty good fright. So, the day before I need not have been nervous. The whole lot of excitement is only in the theater premiere. Because we know that all the critics in the audience. I try to take with humor and lightness – it is yes but then also only theater! It should not cramp.

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