After a quarter of an hour the audience has for the first time reached the threshold of pain. This is due to Wilson Gonzalez Ochsenknecht, known from the children’s film series “The Wild Things”. With a submachine gun in hand Ochsenknecht stands on the immaculately manicured lawns of the Munich Diplomatic Villa and plays Henk, a coked scapegrace from the entourage of the Arab Oil Prince Nasir.
Henk jokingly fired a few volleys through the garden. In face he wears a abgelutschten toothpick and watch it so haggard, as if he had accidentally stumbled into a Spaghetti Western. Finally to parody the scene, rushes as Prince Nasir and explains the commissioners solemnly:
“In Kumar gun belongs to a man as his beard.” What makes the corpse in the Lamborghini
Nasir’s father is the Emir of Kumar, a fictional rogue state in the Middle East. And Nasir has a problem: After a chase through Munich, the police have found a body in the passenger seat of his Lamborghini
Aerobatic and Leitmayr would like to determine, yet. the sheikhs enjoy special rights. The emir wants to buy the state of Bavaria, a subway – a billion-dollar contract that protects jobs. Since murder investigations are inconvenient. “What does the Emir a subway in the desert” asks Leitmayr. Aerobatic knows the answer: “Because it’s above so dusty.”
On the limits of diplomatic immunity
The new case “Desert Son”, the question of the limits of diplomatic immunity. He also sheds light on the sometimes dubious role played by politics in the web of economic interests and legislation. Too bad that the authors Alexander Buresch and Matthias splendor totally overload the story.
To murder, corruption, oppression and homophobia, coming in 90 chaotic minutes also nor arms deals, a Menage a trois, sex with minors and an unresolved father conflict. It would have been easy to make a miniseries.
The aura of a file
But most irritated the dimensionality of the figures. Yasin el Harrouk transforms the polyglot Sheikh son in an aggressive braggart with ghetto accent. Samir Fuchs as the treacherous consul Saleh convinces with the correct gelled hair, and Götz Schultes prosecutor has the aura of a file folder.
In addition, Aerobatic and Leitmayr must constantly clumsy foreigners jokes tear, over which they do not like to laugh at themselves. Conclusion: Whoever keeps this “crime scene” to the end, who also manages the “Die Wilden Kerle 1 -5″
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