“Polizeiruf 110″ in Munich: no one helps you – TIME ONLINE

It is not without irony that German television makers dream in their films from the cinema itself. So American films. In this regard, the ARD on Sunday evening crime in the current season, has not intervened for quite a bit of homage to the past, and, although Til Schweiger, cinema, Germany’s biggest Bruce Willis Faver, yet to Happen.

Matthias Dell writes since 2010, on a weekly basis about “Tatort” and “Polizeiruf 110″. On TIME ONLINE now in the column “The autopsy report”. © Daniel Seiffert

Equal to the second episode after the summer break, the Stuttgart-based Algorithms-nightmare HAL, was just like, the Computer from Stanley Kubrick’s 2001: a space Odyssey. The movie was also otherwise all of the effort, as many of the allusions to the epochal work of 1968 (and beyond: Kafka title). In the Murot-the case of last week was, in turn, striped Kubrick short, this time by a reference to the Shining; oriented, It is death, but live on the dramaturgy of David Fincher’s Thriller Seven.

In Munich Polizeiruf: wetlands (BR-editors: Cornelia Ackers, editorial staff: Tobias Schultze) is now used Francis Ford Coppola’s Film The dialogue, 1974, as a great role model. So Frank Jarmer (the great Niels Bormann), of the newly invented Instant-colleague of the merveillösen, but since the progress of the burn hauserin (Anna Maria Sturm) lone Commissioner Hanns von Meuffels (Matthias Brandt), offense to Gene Hackman wearing horn-rimmed glasses, hair extension and mustache. So Hackman starred in Coppola’s Film, a Abhörspezialisten, the victim of his self-will, and everywhere only Observation detects. This lot comes in wetlands Meuffels.

The female Gustl Mollath

one Can, of course, in his favorite films wallow when the opportunity presents itself. The only question is how to do that. The way the quote as a form of art, as in the Murot Film or the Taxi Driverreference in the anniversary of thescene (from the war, repatriated soldier is sharpened in the passenger transport to the world’s disgust to the rampage).

The unelegantere is the Anwanzen to the Famous, for which, unfortunately, the Munich-based call (Director: Hermine Huntgeburth). Here the allusions to the Original decorative, they act like the crotchety goods at the supermarket checkout stay: When we go shopping in a story about Paranoia, then we take the seductive notes on the canonical-with send movie.

recovery position

Mainly wetlands, a Paraphrase on the case Gustl Mollath, one of the biggest judicial scandals in Bavaria. In the alarm Meuffels is confronted with Julia Wendt (Judith angel), the female Gustl, who was unjustly imprisoned five years, in the closed psychiatry and now sensitive data from a tax sinner-CD wants to be leaking, what is to prevent her late husband and the Bank at the time.

As the woman is run over, your delusional to Meuffels. Unfortunately, you know, not really, when the dream sequence begins, in the Meuffels over the image of the eye blood woman awakes in a cold – the accident could even have heard of, like the Commissioner for lovers of stick bows on them to go instead to the revival and stable side position.