The 1000. A result of everything that makes the “scene” became popular: a murder with a surprise effect, commissioners draw on their Knowledge from Arte-documentaries and wolves. The Gleaning.
knowledge of the to 1000. scene:
we Are all a bit of a victim? Victims of our traumas, Fears, Quirks, and, in the case of the makers of this anniversary episode: our own claims. “Taxi to Leipzig” was the very first edition of the detective series, the on 29. November 1970. There was a dead child, a bit of East-West conflict and an unorthodox Commissioner, of not only smoked when Determining cigar, but with a meaningfully bite severed.
The first SZ-”the scene of the crime”-Review
even then, the scene many of the ingredients that make him still for a wholesome weekend end food. With the stated goal of ambitious scriptwriters and Directors today are more likely to disturb the audience with the usual food-processing routine: The scene is not supposed to be comfortable, but worthy of note. In the case of the remake of “Taxi to Leipzig”, the audience is sometimes close to suffocation. Time before an honest Laugh, at times, because the Plot is swallowing chunks of hard to come by.
What happened?
two commissioners together in a very boring training seminar (Commissioner Lindholm in Hannover and Commissioner Borowski in Kiel). In addition, a third and a pain in the a Commissioner (Borowski) on the most intolerable. The three arrive together in a Taxi. I am an investigator with the taxi driver on the most intolerable (“May I invite you to strap yourselves in?”). The taxi driver his neck.
no, the Whole thing is not a joke, and then pretty quickly on the motorized Version of a Chamber play. Lindholm, Borowski and the taxi driver Rainald Klapproth driving with the body in the trunk due to the nocturnal landscape, and discuss the respective emotional wounds.
Top
is The theme behind the taxi murder an important that gets in this country too little attention: the main character Rainald Klapproth, a former elite soldier of the Bundeswehr, is representative of those soldiers who have survived the hell in Afghanistan and then on to the banal of everyday life in Germany fail. Is told of the case from the different perspectives of the protagonists.
Flop:
The humorous elements karikaturesk seem downright. Whether Commissioner David runs away half-heartedly in front of your hostage-taker, and with a little mouse-voice, “help!” calls. Or Commissioner Borowski that he has his knowledge about Amokäufer from an Arte-documentary. Or Commissioner Lindholm, after you have managed with Mr Borowski, the escape, stands alone in the dark forest. In a red coat, on a hill, a few low growl Saxon wolves. Who is in such a heavy-handed take jokes in the Rest of the story seriously?
on the Other hand …
police work is a completely ridiculous endeavor in this the scene of the crime. In a 1000. The inability of their own staff to celebrate to size. And refreshing self-irony.
Call Dialog:
Lindholm and Borowski trying to come up with klapproth into a conversation – a Dialog directly from the manual for hostage-taking, Chapter: “How to establish a personal connection to the hostage-taker”.
Borowski: well, I’m Klaus, I’m a detective, from Kiel. Yes I have a daughter who is waiting now, to home, to me, with the evening meal. And that is ..?
Lindholm: Charlotte. I work in Hanover. We were at a meeting, we meant no Harm.
Borowski: you Have family, Charlotte?
Lindholm: Yes, a little boy. He and my husband, the wait is now on me.
Borowski: And what is your name? How are you called? I don’t believe in coincidences, I believe that there is a sense that we are meeting here, and the sense is, that no more people die. Where do you want to go with us? No matter what you want to do we will be happy to help you.
Lindholm: Come on, speak you with us.
Borowski: Or do we want the silent treatment? Now that we’re here together.
Lindholm: And also, I believe … no Matter what just happened: you can speak with us about what they’re up to now.
taxi driver Klapproth: Well, Klaus and Charlotte, so you want to talk, Yes? Are you looking for the conversation?
Borowski: Yes.
taxi driver Klapproth: we are now playing a game. It goes like this: I ask questions, who can answer three of my questions correctly gets an answer to his question. Who answers, not wrong answers, or is lying, who gets a minus point. Who has three minus points, it dies. Klaus already has one, because the story is a lie with his daughter, because no one waiting.
Best scene:
Lindholm and Borowski have landed on your flight from klapproth in an abandoned barn. There, the absentee owner has parked a car. Just as the vehicle set in motion? Borowski has a Plan: “I will strike the side window and then I shut the car shortly.” Lindholm is skeptical: “And when the alarm goes off?” Borowski appeased in Mans plaining the manner of: “This is an old Volvo that has no alarm system.” S speak’and are on the exact Roundhouse Kick. Result: Borowski hangs with a twisted knee in the side window, the alarm howls and the lights – and even in the darkness, disappearing at the end of the barn is visible from afar as a province of big-room disco on Saturday evening.
Best performance:
Florian Bartholomäi plays breaking the Afghanistan-returnees Rainald klapproth in the mental no-man’s land between soldier of self-control and complete together. “I can, because I want what I need” prevails klapproth Commissioner Lindholm at one point.
Who determines where and with what Tricks?
punch line in the end:
have Several performers of the first scene-a result of a guest in the new edition of “Taxi to Leipzig”. Günter Lamprecht, who played in the Original, a Ranger, and the beginning of the nineties as a sceneCommissioner Franz Markowitz became known, is allowed to speak, the ambiguous final words:
Thank you for visiting this event for so many years and that the mean people out there so much to you. I think you mean the people very much. Even if you do not notice the always. And I think it is no exaggeration when I say that you are all for the Good. For the hope. To ensure that life goes on. And that the Good triumphs. Thank you.
The best audience comments:
read a scene-of-crime-Essay by Holger Gertz with SZ Plus:
Deutsches Theater
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