“This woman has the sensitivity of a snow plough,” thinks Borowski (Axel Milberg), and Charlotte Lindholm (Maria Furtwängler). “As he thus stands, with his round head …” she thinks and says it. Particularly sympathetic to the two commissioners are not normally in Kiel and Hannover, to determine each other, never met and now, for the anniversary episode, the thousandth “the scene”, had to arrive to lead to juxtaposed interior monologues in a “Taxi to Leipzig”.
This title was wearing in 1970, the first “crime scene”, directed by Peter Schulze-Rohr. With a German intelligence history, in a was in Hamburg a police officer (Walter judge) to educate on your own a infant death beyond the Iron curtain, was a series on the air, the success of which could see the history of a person on the the First looking back, refers.
Hans Peter Hallwachs, who played in the first “crime scene” the villain, shows up briefly. Friedhelm Werremeier, author of the debut-”crime scene”, is allowed to lie down in a table-dance Bar, a Cameo appearance. After all, in a more exciting atmosphere as that in which Charlotte Lindholm and Borowski with other Former. Your police seminar on de-escalation – it is peaceful for a Fixed – visited but also Hanne Wiegand alias of Karin Anselm, a “crime scene”-Commissioner of the eighties, the word leads a course conductor in the form of the earlier “crime scene”-Commissioner Franz Markowski (Günter Lamprecht), who was seen in the first episode, moreover, as the GDR border guards. But boring is the thing. Charlotte Lindholm’s texting with your lover, Borowski wants to only stalked her to the house, moreover, of a colleague, whose application was rejected sometime in the future.
And so you end up randomly in the same Taxi, to the control of a traumatized Afghanistan Veteran (Florian Bartholomäi) is sitting in the trunk soon a dead body. On the indefinite Route of the kidnapped commissioners rushing through the night, and sensitive de-escalation talks with the armed driver. By the looks of your all-too-transparent tactics immediately, but, nevertheless, he is on the way to Leipzig to tell his ex-girlfriend, wants to marry the following Morning his Exchef, something. Or he wants to kill you? And his hostages? Also the rampage of the “Falling Down” has finally started with a pesky Fly in the car, and how stressful the day for the taxi driver, we input seen.
Commissioner a. D.: Karin Anselm starred from 1981 until 1988, in the “crime scene”, in the anniversary episode, it is a reunion with her./span>
A chamber of life and death, therefore, emerges here in a very confined space, but that it is, because otherwise it would probably still turn the thoughts of a character is listening to loud, is already not a good sign. The back panels in the Childhood of the Commissioner, wrote to the Director and script writer Alexander Adolph in the script, too. Action: Charlotte Lindholm stumbles in a red coat through the woods, on the run from the evil Wolf. Borowski knows that don’t eat people, hurt but at the knee, as he wants to be a car washer. The driver steers his ice-cold killer look to a cute little boy, then to the Commissioner. Meanwhile, the beautiful Helen, no Nicki (Luise Heyer) is in Leipzig to gain, everything is rolling, on the positive pregnancy test. So it goes on and on through the night, in the direction of the Showdown.
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In 46 years, has been the “scene of the crime”, and is immovable in the Sunday evening concreted to assert itself as one of the last fixed TV rituals and to offer many ways for many types, such as Schimanski have it renewed, Manfred Krug as Paul Stoever was allowed to sing for him, Boerne and Thiel, him ratio to reconcile pregnant with the slapstick, Til Schweiger as Tschiller shooting Commissioner Felix Murot deliver with “In pain” born a real top performance, and Commissioner of the interior, such as Lena Odenthal go will probably never be retired. Close to the presence of the regionally-based “crime scenes wanted to be,” always, sometimes more, sometimes less good. The number stands for the familiar shudder. And in this respect, the new “Taxi to Leipzig,” a more representative, because the average “crime scene”. Not really logical, but neatly played and staged, it has at least one important lesson: A little food never hurts on a car journey. Because cookies can save lives.
The first episode of the “crime scene,” he wrote the screenplay, now he’s sitting in the “Bon Bon Bar”: Friedhelm Werremeier.
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