Cologne. Radiant melancholy, from the caveman of Pop: The appearance of “The Cure” in the sold-out Cologne Arena the device to the abysmal work of art.
Robert Smith always looks like: a überfüttertes child, the man has stuck to a lot of stringy, black cotton candy on the head; perhaps, as he would be during the filming of the spider-Laden “Lullaby”-the video clips remained too long in the bath and therefore a little bloated. But a concert of The Cure was never a top model Show. Rather, it is a profound total art that revolves just around that verzauselte music genius who has withdrawn since the end of the 80s, from the Public, every few years an Album is released, and otherwise, his life pleased. Eight years, the last Studio album, eight years, the last regular Tour. In between a couple of Festival Gigs.
And yet succeeds in The Cure, to fill the arenas of Europe, the Cologne Arena, as on this evening, with 17,000 spectators. This is of course because the Fans are starved after eight years of abstinence law. But to balance the fact that it is managed by Robert Smith, on the narrow ridge between New-Wave icon and pop star. In the end decisive, however, is that he has produced in the course of the 80s and 90s so many of the successes of immense quality and originality, that he can still live off today.
the Band is dosed, the Hits on this evening in Cologne carefully, can feel the Fans barely as a deficiency, because The Cure play after generously calculated 40 years of concerts, the scrape on the three-hour limit. And slowly build up your tension. A Hit such as “A Walk” to prepare, Smith two Songs time, during a light show with hypnotic circles draws the audience slowly into the action.
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