A “scene” -Krimi with Commissioner Frank Thiel (Axel Prahl) and its favorite enemy forensic pathologist Professor Karl-Friedrich Boerne (Jan Josef Liefers) in dance sport milieu: Could go well it? Thiel and Boerne’re basically rather Teutonic version of Laurel and Hardy than ordinary “crime scene” -Ermittler, and fans of the legendary comedian duo know that their late work “The Dancing Master” from 1943 was not just her masterpiece. A possible precedent for this crime from Münster?
A
skeletonized female corpse leads the duo this time in the dancesport group of ambitious orthopedist Dr. Winfried Steul (Thomas Heinze). The dead man was up to her sudden disappearance also in the team. This has not been without jealousies: The dancer Jonas (Gordon Chamberlain), a former medic in the mission in Afghanistan had fallen in love. What turn of Jonas in love with Marie (Mersiha Husagic) did not like. But currently represents Steul and coach Andreas Roth (Max von Pufendorf) rather the next competition in the spotlight
Top:. Mersiha Husagic as Marie
But soon finds Frank’s father Herbert (Claus D. Clausnitzer) while collecting mushrooms is another part of a skeletal foot – and Jonas is found dead. Has the unstable young man committed suicide? It is especially the relationship between Jonah and the love Marie, the interest keeps awake the case here. here provide the necessary degree sympathy Gordon Chamberlain and especially the excellent Mersiha Husagic showing full emotional commitment in her role as Marie.
right beautiful and original makes here the dance sport background noticeable, often used for the a delightful and captivating optics provide and also illustrates the effort for it. The resolution of the case with the severed foot hand already drops slightly, to mention the credibility entirely. But plausibility in Münster “Tatort”? As you practice anyway in forbearance, if only vote the gags.
lame pun namely southward rather good jokes
things wit the Münster have in fact already clearly offered better – unfortunately this time but falls just the humor out of the frame.. The dance scenes with Boerne and prosecutor clamp (Mechthild Grossmann) including Introduction – it is about an order of Boerne – come over rather silly as really funny. Heavy, weighs but that does not really want to skip the pun the spark. Instead of the usual sophisticated hatreds that make their weaker cases to treat, give the two namely often abundant lame pun Uralt-of itself.
As may then ever grandma go in the henhouse motorcycle. From the macabre and poisonous “Murder is the best medicine” is the latest string of Münster unfortunately quite far away. The funny intentioned passages are also just carelessly connected to the main story. Yes, Boerne and Thiel are quota kings and this case will not change. A little more effort would have been the makers but can give already.
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