Steffi Schwinn overslept. “Why did not you wake me?” She wants to know about her mother. An answer is not getting the girl. Andrea Schwinn is in the parlor of the inn, leading the family. Asphyxia by strangulation, notes the police. The father has disappeared. The commissioners who prudent Paula Ringelhahn (Dagmar Manzel) and their sometimes awkward occurring colleague Felix Voss (Fabian Hinrichs), suggest a family drama, here in the Middle Franconian Forest.
Meanwhile makes a medical student at the Anatomical Institute of Wuerzburg University Hospital a strange discovery: the skull, which he holds in his hands, does not fit with the rest of the skeleton, which he has before him. Professor Magdalena Mittlich (Sibylle Canonica) is little amused and sends him home: “You are not to go through the night here!” Secretly she looks into it but then after. The police chief Mirko Kaiser (Stefan Merki) is a good friend who can take care of it. Emperor gives himself officiously. He also knows who he presses the matter on the eye. Paula Ringelhahn and Felix Voss may also solve this mystery.
Please find my son!
At the Nuremberg police headquarters at Jakobsplatz meanwhile Lydia Eichbaum (Tessie Telemann) has pitched a tent. Fervent asks her to look for her 34 years old son. The son it forms only one, Paula Ringelhahn learns of a colleague. But the case is dismissed by that? Finally, there is the cleaning power Agnieszka Lies (Karolina Lodyga). They did not hear the alarm. Never fear, says daughter Romy (Lotti Kreitmeyr), finally they have today evening shift in Würzburg Hospital. Agnieszka gets a muffin for breakfast, topped with their name. Another is for the father. Once Romy is out the door, Agnieszka Papas throws Muffin in the trash.
She calls in vain for her mother: Barbara Prakopenka plays the young Steffi Schwinn
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What do the stories have in common? First, apparently nothing. Only at the end of the thread of the screenplay by Beate Langmaack is visible. Those who expect a brilliant eye-opening experience, will be disappointed. “The right to attend” (directed by Andreas Senn) is a thoughtful film, with thoughtful commissioners that come one story after another on the track whose common pattern shows gradually. Dagmar Manzel and Fabian Hinrichs make their characters in such a way as its own, which can not think one that this is only their second joint appearance in the franc “Tatort” is. Explore inner depths and travel through a wonderland that the cameraman Holly Fink knows to stage in captivating images that Vera van Appeldorn together cut so skillfully that you get an idea of how a good origin or Regional Crime, to the Bayerische Rundfunk has made with the “Tatort” episodes from Franconia, looks
for the commissioners Ringelhahn and Voss, and with them for the audience, the Tileable add together. the murder in Landgasthaus apparently went a family dispute ahead. The twenty year old Steffi (Barbara Prakopenka) suffered the eternal discord of their parents. Commissioner Voss accompanied the dejected young woman through the twilight, he sets out to search for the missing in the forest father. Holger Schwinn (Jörg Witte) will eventually intervene even when the commissioners. Voss speaks his conscience. The case of Lydia Eichbaum know however Commissioner Ringelhahn solve. It creates certainty, which is rather the desperate mother as the miserable waiting. Again, a family drama plays. And the case in Würzburg? What about the skull reversed on itself? What role does the cleaning power Agnieszka? It is about to grow another family drama.
The tranquil setting is deceptive: Paula Ringelhahn (Dagmar Manzel) and Felix Voss (Fabian Hinrichs) deal with its second case.
The bones do not match
The fact that in between is unintentionally funny, the young detective Commissioner Wanda Goldwasser’s (Eli water Scheid) thanks to which the doctoral student Philip (Nils Strunk) interested , Ringelhahn and Voss hatch spontaneously in the role of mother and stepfather, who wanted to look even know if a medical degree would for their alleged Scion Wanda despite latent nausea in the morgue in question. The director Andreas Senn succeed after the multilayered screenplay by Beate Langmaack these scenes. As is true every sound, every gesture, every look.
In case number three young taxidermist Lando bailiff takes (Jan Krauter) an ominous role that touches the audience most. And always it is about “The right to worry” and the question of how you interpret it. That the first “scene” from Franconia had twelve million viewers, like the curiosity be due to the new. By its second case in which three stories are woven into a large, prove the investigators that they deserve a large audience.
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