“Stupid German Money” – as was called for years the German film-million, in also let flow the private investors via closed Media Fund to tax savings the horrific Hollywood productions. But the German state subsidy million are usually only applied to economic gain: With the funds from the German Federal Film Fund (DFFF) and the relevant film pots of federal states although the desired regional effect is local investment commitment of producers certainly achieved – but whether the movies are any good and audience pull the movies, is then even more subordinate.
Eran Creevy action film “Collide”, almost completely rotated in North Rhine-Westphalia, fit as perfectly into the picture Teutonic paradise conveyor system. Equipped with 2.5 million euros from the DFFF and 1.5 million euros by the Filmstiftung North Rhine-Westphalia, “Collide” is dedicated mainly to the fascination of the German Autobahn. That there still variously distances are no speed limit, is for American motorists who may slide only with a maximum of 85 miles through their vast country, still an incredibly tempting idea.
Everything for the new kidney
at the heart of, well, history of young Americans Casey is (Nicholas Hoult), suffering his girlfriend Juliette (Felicity Jones) to a kidney ailment. The waiting list in the German health for a donor organ is long and time is short. In the US, the problem, however solve monetarily, and so does Casey for the new kidney his great love his old job as a skilled rider in criminal mission again.
A truck full filled with cocaine golf balls worth five million euros to the drug lord Hagen Kahl (Anthony Hopkins) and stolen the property of the loopy Gangsters Geran (Ben Kingsley) are transferred. The top cast of criminal counterparty is the only visible quality feature of the film – unfortunately he refrained Hopkins and Kingsley directly release each other. The duo serves only as a decoration for a dreary series of chases
Tremendous body damage
How nice that the beleaguered hero because after verpatztem coup is always a PS strong brands sex Departs available. – and is then directed by good German motorways, sometimes through the middle of Cologne or the contemplative downtown Monschau. The fender benders are enormous. German police cars are wrecked relish, and Nicholas Hoult makes every effort, behind the wheel herbeizugrimassieren the suffering of his character
Hoult and Jones are films like. “X-Men: Apocalypse” and “The Theory of Everything” ascended to stardom, and it is probably their fresh glory – and the North Rhine-Westphalian distribution funding – due to that already in 2014 film shot is dumped directly on the video market. So at least do something for Germany B-movie culture for which there are hardly any funding opportunities in the focused on mega blockbuster Hollywood-operation.
Cinemaxx, Colosseum, Cubix, Eastgate, Cinemotion Hohenschönhausen
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