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The actor Sylvester Groth has abandoned its role as a Commissioner in the “Police”. Who wants to know why, needs to be considered from the case in two parts, to which the “Police” team from Magdeburg and Rostock are clamped together in the next two Sundays, only the first quarter of an hour. After that it is clear how right Groth is with his departure and his criticism, this is all too complicated, constructed and maintained. It is much worse: a thriller turnoff, a non-ending, warning example, a tangled confusion, a disaster at a high level
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dies in Magdeburg the Junior Chefs woman in an arson attack on the company Richter. In Rostock man is shot at the same time, the manager had come in the company and just inexplicably one hundred thousand euros. Two perpetrators, a context, the four “Police” commissars come only with difficulty on the track. At the crime scene in Rostock typed LKA investigator Katrin König (Anneke Kim Sarnau) to the mobile phone of the dead and the colleague Doreen Brasch (Claudia Michelsen) in Magdeburg on the line. Their colleague Jochen Drexler (Sylvester Groth) immediately think of his days at the “Cerf” a long shelved department to identify crimes related to the unification of Germany, and seeks the former colleague Ferdinand Frey (Cornelius Obonya) on which for rape of a young woman sixteen years in prison.
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innocent as he says. Clearly innocent, we know soon, Frey is in fact gay and Drexler connects him more than professional collegiality. This arises soon prove and partly explains the strained Verkniffenheit this Commissioner, who apparently has a problem with his homosexuality. Frey was the perpetrators to now it’s back, for more than twenty years ago on the trail, now he runs amok. A single killing spree is also the occurrence of Rostock Commissioner Bukow (Charly Hübner). He is suspended and we go to the psychologist, whose judgment of his return to the job depends. With one of the murder suspects he is well known, soon he is sitting next to this, the is hiding from the police, in the car, gets a load with the stun gun when he wakes up, the suspect is dead, shot with the same weapon with which already two murders were committed. Bukow she holds in his hands, his blood-soaked clothes, he burns behind the garage, but from the Makarov pistol he wipes his fingerprints from not even what makes him later course certainly suspect.
© NDR / Manju Sawhney
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Katrin King flirts meanwhile with another suspect, the son of entangled in the crime security CEOs Wagner, Doreen Brasch can be a little on the Rostock colleague Anton Pöschel (Andreas Guenther) which will, Bukows absence in every respect use white and the colleague with the not exactly restrained spell coat: “You and I – sex?” The two were earlier times when SEK. Pöschel says “Seks”, of course, means the thing with “x” and thinks it’s very funny. The crimes at issue in all of this, meanwhile, are an elegiac tragedy. They range, as the title of “maneuvers” suggests, to the days of reunification back. It’s about “transferable ruble fraud” and arms deals with Somalia.
© NDR / Christine Schroeder
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This is so incredibly complicated that the commissioners it is required to submit again in pesky dialogues (Book Annika Wangard, Eoin Moore), the director (Eoin Moore) are at the beginning of each order to the figures acts considering its double and triple fusion nothing real. “I think I’m different,” says Katrin King at the end, “different from other people.” Her colleague Bukow was “too different, but otherwise different.” In this three-hour hub, which is called “Police”, is a well different. Quite different.
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