Somewhere in Rostock ringing a phone. It is the phone of a dead man. The call comes from Magdeburg. Main Commissioner Doreen Brasch has LKA-profiler Katrin King off that just takes the cell phone of a murdered auditor under the microscope.
The Killed comes from Magdeburg, the crime scene is Rostock-Warnemünde. The number of auditors has chosen a woman in Magdeburg shortly before her death. She died in an arson attack on a family. Brasch will consult the man as a witness. But it has long 350 kilometers sought on the Baltic Sea, after living it. Shot in a hotel. Is there a connection? And if so, what?
director and screenwriter Eoin Moore uses this, not even one-minute scene as a door opener for an unprecedented project. For the first time in the history of crime series “Polizeiruf 110″ a murderer is wanted country and channel across. 180 exciting minutes of film are spread over the Sunday evening of 27 September and 4 October (20.15 clock). The broadcast of the second part was “home” involved in the ARD theme week.
“maneuvers” is more than a perfidious predator-and-robbers story. The first “Polizeiruf 110″ -Crossover impressed with catchy dialogues, a quick narrative pace and a dense story, four dead and several perpetrators are at the end.
At the beginning of the investigation by Katrin König (Anneke Kim Sarnau, 43, “Honey in the head”), Alexander Bukow (Charly Hübner, 42, “Bornholmer Strasse”), Doreen Brasch (Claudia Michelsen, 46, “The Tower”) and Jochen Drexler (Sylvester Groth, 57, “Generation War”) can begin to develop their complexity barely. Two murders, two storylines and at the end everything comes together and the perpetrators behind bars. Thinks the audience – and wrong.
The unlikely quartet must travel back in time – even in their own. Back in the time of economic and political upheavals of the 1990s. It’s about the criminal activities of those bigwigs, who were then ruthless and greedy and still are today. But they also go over corpses. The Krimifan be expected to words like Zerv (Central Intelligence Unit Governmental and Party crime) and transferable ruble fraud. “U-turns” is also history lessons.
Moore and his co-authors Anika Wangard and Thomas Kirchner have woven from the threads of fate, CVs and personal dramas in East and West an extremely compact carpet. “The thing here is getting closer,” one hears just before the showdown Pöschel (Andreas Guenther) say. And he’s right. It is a story that is told over three generations. Many spectators could feel the desire, the investigators alike, get the flipchart. Of the survey due. Moore puts dramatic anchor points and key moments. At the end, the figures are clear.
In the two-parter “maneuvers” celebrates Sylvester Groth Farewell to Magdeburg and its about proper investigators figure Drexler. Moore dismisses him, in which he takes him as a private citizen to the point. Not indicated longer, everything is all told. The – SPOILER WARNING! – Coming out of the rigid jacket wearer is a pleasant eye-opening moment, but not the only one.
Brasch kissing a colleague, king falls in love with a shady witnesses and Bukow makes just his thing. “Did Burch” comes as city off clearly better because impressive night shots of the same city from the air, and a chase around the picturesque Hundertwasserhaus gouge the desolate Rostock prefabricated buildings and smeared with graffiti Garage Complex clear.
“maneuvers” was shot at about 50 days in Magdeburg, Rostock and Hamburg. End of January fell the first flap. It is a joint production of the Mitteldeutscher Rundfunk (MDR) and the Norddeutscher Rundfunk (NDR).
No comments:
Post a Comment