The animation forging Pixar like undertakes with his films exciting journeys.. For “Ratatouille” we went to the Nobel cuisines of Paris, “Brave – Highlands’. Abducted to the Scottish highlands
In” Up “took an old man along with house and balloons course for South America,” Toy Story “ventured into the world of living toys. With “Inside Out” penetrate the California Trick artist now in the hitherto most exotic region before: This time it’s in his head and into the subconscious, in the control center of emotions, memories and dreams.
venue of the 15th Pixar feature film is the emotional world of an eleven year old girl. For Riley, it goes haywire, their emotions are head. No wonder, with the parents it is just moved from rural Minnesota to San Francisco. It is the farewell to their friends, the beloved ice skating, from her childhood.
That sounds more top-heavy than light entertainment after children, but Pixar is once again a wonderful balancing act succeeded in keep heart and mind, thoughtful depth and motley fun perfectly balanced.
For the director Pete Docter (46), who won with “top” the Oscar for best animated film, it’s a very personal story. The impetus was his daughter Elie, who suddenly the cheerful girl became silent, closed with child eleven years as the Docter told Deutsche Presse-Agentur. “It has hurt to see how it was changing. As parents, you ask yourself, “What is going well in the head in front of my child?” “. Elie is 16 years old today. Five years working father of two with a team of more than 300 trick artists, illustrators and programmers to “Inside Out”.
But the little Riley with ash-blond, shoulder-length hair is not the main person. These are their personalized with skin and hair emotions: joy, sorrow, fear, anger and disgust. Joy is a lively fairy with beaming eyes and quietschblauen hair that will make Riley just happy. Anger is a burly gnome with tie and red head exploded easily. Kummer is sedate, with sad eyes behind round glasses, everything she finds incredibly difficult.
All were born from simple character strokes, the filmmakers say. Joy was initially an exploding star, a tear grief, disgust had the form of broccoli, anger was a brick and fear, a thin strand. give
The five feelings in a control center in the brain to the sound. You control the emotions in the real world. That’s hard work. As Riley sitting with her parents stressed by relocation in the half-empty town homes at the lunch table. Your first day at school was a disaster, Riley sulking, Dad gets mad, Mom worries. On mixing fear and anger turn on fully. “Inside Out”, the original title, jumps between the inner life and Riley’s world back and forth.
joy and sorrow have been accidentally thrown out from headquarters. You’ll make their way back through the memory where stored memories as colorful balls in endless shelves. Meet new Bing Bong, Riley’s imaginary friend with pink snout childhood. It goes through the murky subconscious, in the abstract thoughts and in the Dream Studio, where dreams are made. With horror they see how Riley worlds collapse. As happy girl in Minnesota, she built in her head to fantasy worlds, such as the motley nonsense Mach island or the Amity Island. Now everything collapses.
This is not just pure invention of Hollywood’s dream factory. The Pixar team won prestigious neurologists, biologists and psychologists to help. The world famous psychology professor Paul Ekman, who studied for decades facial expressions and non-verbal communication was working closely with Pete Docter.
This adventure through Riley’s soul world is bursting out of original ideas and wonderfully oblique fantasy characters. The desperation of the girl and her emotions also go under the skin. The initial totally opposite characters joy and sorrow come closer -. Without the other does not come from
“In order for the film also has significance and something sustainable, there must be darker scenes and loss,” explains the director. The main character Joy would learn an important lesson in life. And so should the audience, especially the big ones, are Docter wants. “Our primary language is not English or German, but feelings. When my son was still quite small he heard with how my wife and I fell on the tax in dispute. He has no word savvy, but looked at each other and understood all of our emotions. ”
95 brilliant minutes walk with witty allusions to a possible continuation (Riley is now twelve, what can possibly still happen) and fitting words to the end: This film is dedicated to our children. “Please will never grow,” it says in the credits.
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