Moritz Eisner (Harald Krassnitzer) and Bibi Fellner (Adele Neuhauser) discuss the mysterious death at the Austrian-Czech border.
Do not we have waited for years that the thing between Bibi Fellner (Adele Neuhauser) and her partner Moritz Eisner (Harald Krassnitzer) finally escalated once? Here you go, here’s the little great drama of jealousy, loudly recited on the open street, and overheard by at least two suspects behind softly rustling curtains is.
It all started so well. A corpse in the Austrian-Czech Grenzflüsslein Thaya, the Viennese police duo released from Drögen study of the file and its new employees to a self-styled comedian that we do not want to see her again. In the Waldviertel it is necessary to seek traces to ask people and to gran stuffs together happily on their way to the solution, and the hand-held camera shake briskly back of that.
Wonderful in limbo
Quick find out the two: it was murder and not an accident that a man slumped lifelessly from the front of the canoe on the shore supposedly Stone Age archaeologist excavating. The dead man was working for the Prague intelligence. He always got down in the same house on the site. And he was the son of an agent of the Cold War -. Whose long shadow still above the waters of the Thaya
To bring
light into the darkness of the past, that’s what “limiting case” (Written and Directed by: Rupert Henning). When the Iron Curtain ran through the middle of the river, refugees died there in a hail of bullets. From the small Austrian border town but disappeared man, mourns his son to him today: Max Ryba (Harald Windisch) never found out what happened to his father in 1968. He flips through old photo albums, as Bibi Fellner and Moritz Eisner appear with him. He has just buried his mother and his aunt sitting at the dining table. She heads said board. A view from Eisner is sufficient and it is from the peaceful determine.
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It will take a few scenes until the inspector loses his poise, but then really ” Bibi, now that’s not serious! “he reigns to his colleague. “That one there is a journalist! Do you know how many times has me spit in the soup? And do you do with him a sexy pants exchange, “Here Max Bibi has borrowed only a few old clothes because she had fallen into the river. No real “limiting case” Nay; but rather an example of how the writer Rupert Henning holds also in this point everything is wonderful in the balance.
© Degeto ARD / ORF / Allegro Film / Mile Ironically, the journalist Max Ryba (Harald Windisch, r.) Are the Commissioners important tips for murder.
Ironically, the journalist Max Ryba (Harald Windisch, r.) Are Commissioners important tips for murder.
For a smoother balancing act is the whole film. He jumps cheerfully back and forth between dark landscapes with prophecies of doom and stresses unmalerischen interiors, between the Czech and German side of the story, between yesterday and today, comedic and dramatic elements of a crime and its trappings. These mostly prancing piano music in the background – which begins sometime belonging to tug at the nerve – sometimes complains an accordion
.
organic farmers and grumpy old
What unroll the Vienna investigators, unlike in their previous case “code name Kidon” not a political murder, which is at least a size too big for them. Recourse to the Mossad is not necessary here, and the assistance payable Czech investigator team has more functions to reflect the two Vienna, as to make them competitive. So it looks with the dance charming minor characters that move at the periphery of the case. Almost all are narrowly drawn to the cartoon over. Thus, the appearances of the hyperactive archaeologist and cynical pathologists also advised to near-antics as the stakes of the liaison officer and the new colleagues in the office. But they vary two elements of the same old crime standard program – coroner and crime scene forensics – once again: as lecturing in front of laymen
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How did you find the “110 Police: Storm in the head?” From Rostock
That everything that goes deeper still does not go down, shows how clever “limiting case” plot and sub-plots arranged – even if lecturing sometimes arg is rampant. Who looks after the family facade with organic farmers and grumpy old man, looking straight at a time, in the wrong facilitator for the secret of the Czechoslovak people lured into the trap. Something murderous remained in the river, and it seeks not only Bibi’s life. Is it better to look back and always look forward to? Bibi Fellner and Moritz Eisner put everyone a cigarette, staring at the water, knowing that you can never step twice into the same river – and that certainly never “all good”. Only because it can go, too.
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