19:46 clock
Glassy look garish green eyeshadow, sweaty hair. It is the end of a night of dancing – Commissioner Nina Rubin is in the toilet of a Berlin nightclub, wearing front of the mirror new mascara on and slowly pulls her hair dogs. She leaves with swaying hips to the club, followed by a younger man. What happens then is reminiscent of a rape, however – and this is understood by the audience after a few moments -. Planned by the two so
The new “crime scene” from Berlin wasted no time. While Nina Rubin is swallowed by the Berlin nightlife, stumbles on the Kurfürstendamm, the bloodstained Johanna through the darkness, sobbing and confused
The first reflex. I’d rather not know what happened to her. In less than two minutes it becomes clear that this is a “crime scene” of the hard variety. One who exacts much to the viewer.
has been eagerly awaited the “crime scene” with the cryptic title “The Mule” mainly because it is the first without the Commissioners Ritter and Stark, in Berlin have established for 15 years. The RBB wanted a new concept, complex characters with personal abyss. This is not unique within the ARD, manages the new Berlin “scene” at its two investigators Nina Rubin and Robert Karow surprisingly well. Played by Meret Becker and Mark Waschke the two city commissioners look authentic – Writer Stefan Kolditz has very exactly about how the characters are to develop. This is also why this “crime scene” not a classic “Who done it?” – Crime
“Did not you want to come only in two days?”
At the crime scene, the blood-smeared bathroom one. Apartment, missing from the corpse without a trace. Here Karow Robert Rubin and Nina meet for the first time. The welcome falls conceivable subcooled from: “Did not you want to come only in two days,” are the first words that depends Rubin at their new colleagues. “Surprise,” he replied dryly. The first power struggle decides Rubin but a little later in itself, as Karow doubt their expertise. “Ick now for six years working in the homicide. As long as you “He comes in:” I have previously some … “-” How long “Karow looks at the clock?. “Two hours, 16 minutes.”
Karow suspected quickly that it is a case from the drug scene. While food is Ruby busy digging in Karows past. It’s about the death of a former partner of Karow determination of its time in the narcotics investigation. “Between the commissioners there at the beginning of mistrust. . She spies after him – and he knows it, “says Stefan Kolditz
Night Cityscapes Time Lapse
Soon on major events: The girl Johanna and her brother Ronny, consisting of a secure institution for young offenders has erupted, are fleeing brutal persecutors. The two youths hide on the site of the vacant BER. There is a showdown
The fact that the audience is familiar with the setting in almost every scene -. No accident. Whether BER, Zoo Station, Spreepark or Kurfürstendamm Berlin is the new “Tatort” play the third main role, so the premise of the RBB. Again and again, night city views are available in fast motion. In order for the “crime scene” can certainly points outside the capital. “Berlin is so incredibly hyped for years. But a postcard side of town there is not, “says RBB-film head Cooky Ziesche. Even after an exemplary parent Commissariat keeping this “crime scene” vain for. The employees of Karow and Rubin work in a bustling open-plan office.
“We thought about how a modern Commissioner may look upon the temperature of a big city here,” so Ziesche. Is it legitimate to sacrifice a single life?
The Makers big plans. The secret to Robert Karow and his former partner determination is a case in case the horizontal in a thriller. This story should go on for four episodes, while the commissioners still have to solve a case. This is similar ambitious as the Dortmunder “crime scene” with the eccentric Commissioner Peter Faber, played by Jörg Hartmann. Over several episodes across Faber studied there for the perpetrators, who are responsible for the death of his wife and child.
The new Berlin “scene” to the upcoming films but tells not only on the horizontal plane. The depths of the Commissioners who are touched upon in “The Mule” only should expand the makers continue. The attention of the audience they have now. He wants to know how it goes with Nina Rubin, wherein the extracted after dancing the night the man and rebelled son now. And what mysterious connections has Karow to Berlin underworld? The casual Commissioner – according Ziesche created as “likeable asshole” – do know is always suspect well informed about future investigation results. Mostly, however, he gives himself harshly and sealed. The scene he studied meticulously, with an expressionless face and leaves quietly go with a piece of evidence
At the end:. A small smile
When releasing the director Stephan Wagner sovereign staged scenario advised Nina Rubin and Robert Karow always together. They have different goals. This raises an important author Kolditz question: Is it legitimate to sacrifice a single life to dismantle a network of organized crime? Or does each destiny?
In all seriousness, there is in this “crime scene” occasional smile. The Hospitantin Anna (Carolyn Genzkow), which is treated by Karow continuously from the top down, it has a sly old dog. She comes back from a search for the Karow it has borrowed his car. “Is not what?” He asks her. She looks to enter. He asks: “The car? “Oh yes, would I tell you yet. The right door … “She pauses. “… Stuck.” Because even need Karow laugh. And in the end he has for his colleague Nina Rubin also left a smile – a very small
“Tatort: The Muli”., ARD, Sunday by 20 clock 15
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