The sad look is his trademark. But in real life Josef Hader is quite cheerful. Perhaps his sadness is only the Austrian version of optimism.
By Susan VahabzadehThe burner that haunts the novels by Wolf Haas, is not simply a detective who solves a case (or not). Who loves him, for he is a kind of her partner: Every time Murnberger, Haas and Josef Hader send him on a new mission, he is thrown into a new phase of his life. It ages with its creators. The three write the screenplays together, including rag lends to the burner not only a piece of the soul, but also his body. Burner without strife, it would not do.
Josef Hader, born 1962 in Upper Austria, is one of the most successful German cabaret, the top for sure. The sad expression has become his trademark. So sadly he does not then acts at the meeting, and not as snappy as it is in some performances as a stage person.
He makes an almost cheerful impression in the Munich coproducer office of “Eternal life” rather as one that is also kind of funny with Zen same composure all the terrible. Currently, constantly deadlines, afterwards he must be gone again, and that he is not used to. “When cabaret you know that you are playing in two years in Germering. In the film we learn only two weeks ago that one has to go to the dubbing studio again.”
” The Eternal life “with Austria’s cult investigators burner
In Crime” Eternal life “has the Austrian cult investigators, Simon Brenner, again solve a tricky case. But his past catches up with him.
(Video: dpa rufa )“If you as aging cowboy is soon to minimum pension, the coolness loses a little. “
He should be used to do so, because he turns again and again, for more than twenty years. But not too often: “I usually rotating only one film every four years, but now it could be that I will soon be doing again what – with Maria Hofstätter, a TV movie When she is happy – we know from our beginnings in the theater..” Maria Hofstätter also served as hostess here was as filmed 22 years ago, “India” – the stage play to have Hader and Alfred Dorfer written together in the film version they played of course
And you can say there. it has furthered the cinema as a cabaret artist a bit. For they were shot to fame. Since he had from his beginnings – only actor in the theater, then classic political cabaret, “as Dieter Hildebrandt and Werner Schneyder” – already solved. He preferred to “Kabarettprogamme write like other novels”
Because a little of it in all of us put
So are the stories from the burner -. They do not tell policy. But by the people who allow this policy. Or create. Or be shaped by it. How did it happen that this part was yet more apocalyptic than the sinister “skeleton” before? “We always weigh as from among several novels, and for, Eternal Life ‘we decided, because there we saw the opportunity for a new category have
The interesting thing always has to happen between the people in the film, not so much in the Action And Murnberger has very irritated with the seventies -.. especially the idea of multiple levels of time and flashbacks, the time now. are no longer in the film. ” Hader laughs as he says this, but all this is not true – a few scraps of which you can still see images in a different light, in other colors, such as photographs from the seventies are. And anyway you can, if the burner from Vienna returns to Puntigam in Graz, look quite good as the seventies have kept in some places, especially in the run-down house from Grandpa, where he grew up.
He must go there, because he has put everything in Vienna in the sand. “It’s a long time cool to be Cowboy,” says Hader. “But if you are as an aging cowboy soon to minimum pension, the coolness loses a little.” At the beginning of “Eternal life” burner sits on the Office and to explain the fact that he has not anything and will not get. The burner has lived, as life lasted forever – maybe he is therefore a figure that you simply have to love. Because a little of it in all of us
It is pretty much thrown away when Hader, Murnberger and Wolf Haas work together, says Hader. “I also like Beethoven rather than Schubert With Beethoven only is there that the whole structure is used, the rest does not need one;… May be spread all Schubert This can be quite” Really together they sit only the beginning, develop a treatment, determine how far they want to move away from the original novel – then write Murnberger and strife alternately it, “and Haas is the supervisor”
writer Wolf Haas Success – Sau – Tor
Wolf Haas loves word games and unusual narrative forms. For his Brenner crime novels that in the meantime feel for him as Sarah Marshall, he is venerated. An encounter with the Viennese author.
The Austrian version of optimism
First time has slowed him the film, in this year he joined even less, but tells them without regret. One imagines this stage of life so happy romantic ago than it is – but traveling through the province, then perhaps more to do in the long run with what Heinz Boesel and Kurt Fellner in “India” for the Tourist Office Hotels scour in rural shallows in Austria, as experience. Anyway, it’s exhausting – purely physically, anyway. Hundreds of performances per year are normally strife. Is it possible to go on forever anyway? “No, you have to reduce gradually.
As a young comedian I have performed six times a week since I arrived to 170 dates a year. Now I play about four times a week, and even in the cold season. This is according to my age still too much. I want to get down on three dates. That would be my age and my strength accordingly. One is with everything in life always three or four years too late for his age. “
comedian Josef Hader talking ” The stupid thing is I want to be loved “
A meandering interview on the alleged war fever in 1914 a “diabolical move” by Pope Francis, healthy hypochondria and the fatal Profilneurose of the Austrian Emperor Franz Joseph I.
So insane amount they have to be a matter not common, the burner and Josef Hader. Burner is always about fifteen years too late, with what he’s doing. It is indeed all about Into feeling, and for that you have not really fail. “I imagine even for my life,” he says, “always horrific developments, so that I can be happy then, that there was not so.” That must be the Austrian version of optimism.
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