You are then but in the course: Charly Hübner, Commissioner Alexander Bukow and Anneke Kim Sarnau as a professional speaker Karin King.
How should a man? What he needs to land in a woman? “You have to be attractive. And smart. And confident. And funny. And smell good. Nothing more, “said the secretary of the murdered manufacturers. And already tried his luck Pöschel Commissioner: “Go have a drink with me? For a coffee? Or a beer? Or a glass of milk? “He says, grinning. Charming and funny enough, or rather just the total embarrassing limit? The Commissioner gets his date. A good idea is not, however. For the elegant appearance, for which he advertises is a witness and could be a suspect.
” Police 110. storm in the head “is peppered with small, fine scenes of togetherness with a false bottom. Most honest go Commissioners Katrin King (Anneke Kim Sarnau) and Alexander Bukow (Charlie Hübner) to each other. You blaffen itself to beknurren as two mongrels. But then we see how they fall into each other’s arms, but this is more of a desperate rescue operation and the opposite of a romance. How should one between the king and the cool demolished Bukow, who drinks if the separation from his wife under the bridge and falls asleep in the car and looks just imagine? Smell good he is, anyway.
The camera on experimental mode
confusion, despair, Conspiracy: The Writer Florian Oeller in this film has everything in stock, so skillfully juggles, but takes a few twists too much into the plot. And the director of Christian Castelberg provides beautiful chaos: At the beginning we see in a crazy pictures staccato in the Thirty-second fast forward, ending with a long cry of the Commissioner, what else is to come. It will be exciting to us the director wants to say. And he even is right. But first, there are hard cuts, the camera (Martin Farkas) goes on experimental mode, it is exaggerated loud guitar riffs, and eventually mutated the tone for tinnitus.
© NDR / Christine Schroeder he really suffers from memory loss? Max Black (Christian Friedel, center) is puzzling.
He really suffers from memory loss? Max Black (Christian Friedel, center) is puzzling.
This symbolizes the state of Max Black (Christian Friedel), the only wanders through the forest, then through the city and eventually collapses. He had shot someone, he says even before it clouded over him. On the closed ward of psychiatry he wakes up again and do not know who he is. “Dissociative Fugue” meaning in the art. “Enviable state,” said Commissioner Bukow waiting with Mrs King of Schwarzens bed. You have found those claims to have shot the black. It is the Managing Director of Hilgro Wind AG, Achim Hiller. His deputy shall exercise the same morning to the men’s room sets that he wants equal say in a newspaper interview on the new offshore windmill park. He goes with excitement. It is a single stammer, his sweat wets’s shirt. Only because of the conversation with the “Baltic Messenger”? Then we see how a corpulent killer named Brock (Hilmar Eichhorn) packs and prepares to assassinate his weapons.
The ghosts of the past
What is brewing there, guess the first Katrin king. When she was at LKA, she had Hiller for organized fraud on the hook and a Secretary of State with equal, if not the entire state government. Then came mysteriously a crown witness, including child killed. The Commissioner was transferred to Rostock, where this old story catches up with them again. What it’s all about, reveals Katrin King and colleagues Bukow Pöschel (Andreas Guenther) only after they have been driven to the ladies room. (A certain tendency to this village, the film already.) The fourth commissioner in the league, Volker Thiesler (Josef Heynert), keeps at a distance, provides the Bukow between also with the fist, after all, is Thiesler he who with Bukows something woman began.
How did you find the “110 Police: Storm in the head?” From Rostock
It’s been a ragged troop, this Commissariat in Rostock. King silent until it bursts, Bukow does to himself suffering. But then the two supposed Loser snatch on a big act. With a happy ending that has nothing to do to happiness. It is rather a state, says to the Bukow: “I would now like a fugue.” This “Police” is not to forget
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