offshore wind farms are a million deal and have been criticized by conservationists. In the new “Tatort”, titled “Who reaps wind sows storm” advised the Bremer commissioners in the firing line of entrepreneurs and environmentalists.
Bremen – A conservationist goes out to sea and climbs without permission on a wind turbine. Above it hits dead songbirds. The animals were dismembered by the rotor blades.
From here, the environmental activists sends a video message going on, an appeal against these killing machines. The Radio Bremen Tatort “Who reaps wind sows storm” this Sunday (20.15 clock) revolves around power struggles and gold rush in the North Sea.
is used as an environmental activist found dead and the same night his friend Hendrik Paulsen (Helmut Allium) disappears identify Commissioner Inga Lürsen (Sabine Postel) and her colleague Nils Stedefreund (Oliver Mommsen) to wind farms, in assembly halls and offices by conservation organizations.
Debt boundaries are blurred
If the wind farm operator Lars Overbeck (Thomas Heinze) something to do with it? What role does the beautiful conservationist Katrin (Annika Blendl)? It’s about old boy and new interests. This Radio Bremen production is convincing because the boundaries are blurred between guilty and innocent.
Unlike the family drama in the previous Bremen- “Tatort” is this thriller politically sensitive. “He who sows the wind shall reap the whirlwind,” it says in the Old Testament. At Radio Bremen is it. “Who reaps wind sows storm”, an allusion to the turbulence in offshore companies, hedge fund managers and conservationists
The viewer must advance knowledge mediated
At first, the film seems like tutoring. The video message of environmental activists is used to inform the audience about the dangers of wind farms on migratory birds and whales
“It needs to be taught a lot of knowledge this time,” admitted Writer Wilfried Huisman in an interview with the German Press Agency a. The excellent for its critical TV documentaries journalist sets – together with two other writers – the finger in the wound. He wanted to show that offshore entrepreneurs pay money to conservation organizations to obtain highly attractive eco-label, Huisman said, “That’s modern green indulgences.” In the North Sea alone were planned 100 additional wind farms, for migratory birds were eventually only narrow flight paths.
“We have created us with an industry that could not be bothered to us,” added director Florian Baxmeyer at the premiere of thrillers in a Bremer cinema. Many scenes he would have to turn elsewhere than planned. Although ultimately the TV crew remained at a wind turbine on land, the spectators by drone flights over the sea and animations the impression of being offshore. Baxmeyer ventures in addition to many exciting scenes trips to slapstick. A boy in cowboy costume is the TV commissioners the decisive clue, an overdrawn hedge fund manager chats with his grandmother.
Poker players without any wrongdoing
Sabine Postel, Bremen Commissioner of first hour, admitted at the premiere one to have episode dealt only in the course of this “crime scene” with the million dollar hunt for the rights of use in the North Sea: “It’s about a lot of money, making corruptible In this sector too.. are hedge fund managers go that are extremely young and extremely smart, poker players without any sense of wrongdoing. ” Nevertheless, they would have and the others every effort that “Who reaps wind sows storm” no cliché crime is.
The AZ-criticism of Ponkie
“He who reaps wind sows storm “is a brave ecological” Tatort “, which indulges the conservation – since we are first of all for it. And wish with the Bremer Commissioner Lürsen out wars (Sabine Postel) and its Assi Stedefreund (Oliver Mommsen), who has pushed the conservation demonstrators from the wind turbine platform of greedy wind power company
A clear distribution of sympathy. We have the loudmouth CEO of greedy wind power company (Thomas Heinze) in its sights. As far as a solid, normally exciting “scene” of the middle class (Book: Wilfried Huisman, Director: Florian Baxmeyer, ARD / RB) – we have seen better and worse
But what if in thrillers, comedies. or melodramas, once again stands out in painful penetrance, is that (apparently “avant-garde” meant) override the background music as a continuous background noise which is superimposed a dialogue text like a buzzing mosquito in the night bedroom.
And the not hard of hearing audience gets the feeling he was sitting in a crowded subway compartment full of cell phone talkers and understand only station. The letter writer, who upset again and again on these ears attack, there are no nagging Gschaftlhuber but tormented by professional ears flayers victim of a silly fashionable television Mannerism.
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