The Bavarian Broadcasting is one of the most reliable crime scene and Police producers. But how the new team of Franconia beats?
On the Bavarians are reliable. The experimental continuously crime scenes and police calls from Munich joins with the new franc Crime to Dagmar Manzel and Fabian Hinrichs a team that actually enriches the crime scene. Not yet a defective detective , not more supercooled quarrels and yet orderly pace and a certain unpredictability. Max Färberböck scene: Heaven is a place on earth is like the classic example of a debut crime scene-just because he defies the patterns. This is not least due to the concise presentation that intersects the Frankish summer neatly apart, followed the figures into the darkness of their hidden desires and longings.
In Nuremberg are all so nice. Well, a bit too much screaming in this first case of Ringelhahn (Manzel) and Voss (Hinrichs) clearly. But in the scene Once all shaken hands, the car is hilarious geklackert with the tongue and in general this car scenes (in the car spend Ringelhahn and Voss most of the time with each other): Since we do not know sometimes what in the script, which is improvised and actually this background remains an insignificant detail. The interaction of Manzel and Hinrichs funzt right away, looks natural, because chatter and typical crime Blah Blah in the same tone alternate. That’s the advantage when a writer his characters not defined by their opposites and eccentricities, but it simply times than take what they are. The reason for a discovery tour, which by no means is after the first station over
Once the car, so to speak, “ By the day with … Ringelhahn and Voss “. So many scenes behind the wheel, visit Germany’s otherwise only Christian Petzold or school investigators. The two commissioners, both non-Franken, both outsiders in Nuremberg, along here, work with them, as they are usually crowded in contact with witnesses or supervisor in visual isolation. You do not belong here and that is perhaps her advantage. Färberböck, who wrote the screenplay with Catharina Schuchmann, always returns to the view from the car, on the night city and quiet country roads until something ominous mixed into this crime story that touches on big politics (BND! Ministries and Munich !) to leave only to have them fall completely disinterested. As a young man on a meadow Frankish here acts much scarier than the cluster bombs in distant lands. With the crooked transactions each appears to have come to terms, they are easy to grasp: main research funding, mainly profit.
But that would be for this scene to a simpler way. It is no coincidence tilt the moods every second, made jokes before suddenly deep sorrow holds retreats – then rebooted. To disappear gradually transitions and tragic secrets almost in casual chatter. Since even the strings no longer keep up with them. What lies hidden one and the crowds into impressionistic flashbacks – beautiful clothes in the sunlight, a hug, a café visit -. Because of the zoom penetrated until the truth is exposed sweaty. Or as they say once: “ We love the craft, tradition and especially the peace .”
murder of Sunday: Blue skies, sun rays two bullets in the head
Quote of Sunday. “. I worry about that tomorrow”
How brought you the first case of the new team from Franconia like?
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