If life villain be in the “crime scene”: Armin Rohde
In Your old men have been difficult. At night they roam through the streets of their territory because they find no sleep, and wondering what all is still. Why the need to go on forever. At least, the crisis of meaning looks after sunset from the veteran Cologne “Tatort” -Kommissar Freddy Schenk (Dietmar Bär) Pats and the deeper causes him promptly in the präpensionäre frustration: Not even with two yobs who rip a parking ticket machines, he is ready. One uses a knife to the neck, the other captures Schenk with his own handcuffs to a lamppost. Until he is freed and the place of Specimen crime, it will take.
As Schenk finally stands next to the dead, it could go upstream, a new dawn contrary: the murder of a bar owner, this is a case-to-measure, Mr Ballauf (Klaus J. Behrendt) elicited at the scene of tearful friend of the victim (Alice Dwyer) evidence that it could be a drama of jealousy. The Commissioner does not believe in the crisis – and we do not need to have a good thriller. But then: Performance Armin Rohde as a convicted murderer Ralf Trimbornstraße on probation, and everything is clear
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More than money, it’s about relationships with men
“He’s a monster,” the father of the murdered man (Jochen Nickel) over Trimborn says. He was once his friend. “He scares me,” says the friend of the deceased, who is actually using Trimborn son (Ludwig Trepte) together. “He killed my daughter,” the grandmother (Karyn of Osthold) says.
Schenk bites in this family history as a grumpy dog. And he can not understand why his colleagues do not want to see what he, the experienced warhorse, is clearly in mind partout. Why do not they want to bend the law as to bring this beast of man to the track, dancing tango with investigators. Trimborn charmiert at one moment and the next beating his son, so that even turn one last “thing” with him. It’s about money, lots of money. It is a question whether the ex-prisoner has also the murder of the owner of the bar on his conscience. But even more, it goes in “Thicker than Water” (Book: Norbert Ehry) to family and relationships Men
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Solid workmanship – no more
Rohde, the movie braces as Trimbornstraße almost single-handedly (and we, therefore, not bad deprive when the “crime scene” -Bösewicht played every week), wrestles with his son, Ludwig Trepte a deeper conflict between loyalty and disgust would, however, have to give to compete there. Ballauf struggling with Schenk, he would prefer to send home to bed, counting sheep, so he can work to rule. Tobias Reisser, the new colleague of the duo (Patrick Abozen) wants to plunk down already, should but then continue to do what young people in television detective stories just do so while making the old outdoors at the correct working hands dirty: playing on the computer .
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Director Kaspar Heidelbach has already numerous “Tatort” episodes from Cologne staged. What he rolls up in his most recent contribution to the series in objective imagery, solid craftsmanship, but far from exceptional. It is a great weariness over this outrageous partly constructed investigations and tangles that drag themselves partly through dialogues, so predictable that the viewer can recite the next line before the actor uttered them. When asked about his Schenk Trimbornstraße father-son relationship, about. What is it? Not much, but certainly no sleepless night. It really is quite something.
How did you find the “Tatort: Thicker than Water”? From Cologne
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