Sex with robots now possible – THE WORLD

They are called Ava Maria and Samantha. And they are called Chappie, Will and terminator. The amazing thing about the artificial humans, the populate the cinema in ever increasing density is not that they receive human names. The amazing thing is that they still divides into male and female. Artificial creatures have but not really necessary, right?

Nathan, a media shy Mogul search engines in are “Ex Machina” on a two-part answer. Firstly, everything in nature has a gender (an interesting argument, but it is the inclusion of robots in the “natural” forward), and secondly, it needed an incentive to contact you. The question came from a young man, the programmer Caleb, who was chosen to spend a week at his legendary employer in nature loneliness.

Caleb is to a Turing test to participate, which is concerned about whether a machine can convince a people when communicating via keyboard and screen from the fact that she was a man. Nathan’s Android is, however, quite obviously a machine that shine through in the metal skeleton and cable, but with a feminine forms, flawless skin and the face of an angel. And Turing’s requirements have been increased: Caleb to find out if Ava (where Eva and avatar stuck and certainly Ava Gardner) and something has feelings and opinions, an awareness of himself

Alex Garland, author of the novel” The beach “and the sci-fi film” 28 Days Later “, combines in his directorial debut, great human questions of the future with the good old chamber drama and a love triangle in which each pursues its objectives. Nathan, the crazy genius who needs a practical test of his creation, Caleb, the shy employee, wants the big Zampano fallen, and Ava … yes, this is actually the core of the story: Can Ava ever have their own goals

At the beginning it is a blank slate, a dedicated creation, for Nathan has created them (which is one Lord of the search engines!) according to the preferences on from Caleb’s Visit porn sites revealed. This Garland performs a sexual element that so far played only a minor role in human-machine literature.

To Avas process of emancipation from the machine to man includes not only the intellect, not only the development of feelings, but also the construction of sexual attraction. Ava – played by the very pure, very serious Swede Alicia Vikander – begins to flirt on, seems to realize before our eyes, what femininity means. When they discovered in a reserve stock android with artificial skin, exfoliates the starting and covered so their nakedness – and just lie by her technical innards

that. can people fall a female computer voice, was allowed to learn Joaquin Phoenix in “Her”. But luck with Samantha (voiced by Scarlett Johansson) joined to the natural boundaries, as the two tried a physical union. This limit pierces now Alex Garland, his ex machina of the Sex Machina further developed by Nathan the android sensors implants with which they could feel pleasure. Sex with robots is therefore now possible.

In principle at least. For before the sexual ranks of self-preservation, and it is only logical that also awakens in an artificial intelligence. Ava draws the suspicion that her designer could switch it off using the next higher model and take countermeasures. Now there is the Asimov’schen laws for robots whose third key sentence is: “. A robot must protect its existence as long as such protection does not conflict with one rule” Rule one says but that robot may not harm people. The conflict is obvious and must therefore blood flow in “Ex Machina”. In a cool designer electronics world, as the film presents, which is almost back comfortingly.

Reader comments are hidden.

// The following are highly recommended additional parameters. var disqus_identifier = 139952569; // article id where comments used var disqus_url=’http://www.welt.de/print/die_welt/kultur/article139952569/Geschlechtsverkehr-mit-Robotern-ab-sofort-moeglich.html’;//article url where comments disqusAd used function (e) {var s2 = document.createElement (“iframe”); s2.src = “http://appc.welt.de/static/welt/2012/pa-anzeigen/anzeige.html”; s2.width = 620; s2.height = 100; s2.style.overflow = ‘hidden’; s2.scrolling = “no”; s2.style.border = “none”; $ (E) .parent () append (s2). s2.scrolling = “no”; } Var dsqcounter = 1; / * * * DO NOT EDIT BELOW THIS LINE * * * / $ (document) .ready (function () {(function () {var disqusSsoEnabled = false;! Var experimental mode = $ .cookie (‘BIGP_EXPERIMENTAL’); if (experimental mode) {disqusSsoEnabled = true;} if (disqusSsoEnabled) {window.disqusid = $ .cookie (‘disqusid’); window.disqus_config = function () {this.sso = {name: “Login” button: “http : //img.welt.de/skins/welt/gfx/disqus_login.png “, url:” https://ssl.welt.de/user-web/disqus/login.jsp “logout” https: / /ssl.welt.de/user-web/disqus/logout.jsp “, width:” 500 “, height:” 500 “}; if (window.disqusid) {window.disqusid = window.disqusid.replace (new RegExp (“.”, “g”), ‘=’); window.disqusid = window.disqusid.replace (new RegExp (“_”, “g”), ”); this.page.remote_auth_s3 = window.disqusid; this.page.api_key = ’8JmKKMV2FgF5OgVCye4P0v3Q9aJK8eQOZ6VtqjfLaMgTzrNy465erNMGjGFhbW2X’; }}; }} ()); (Function () {var dsq = document.createElement (‘script’); dsq.type = ‘text / javascript’; dsq.async = true; dsq.src = ‘http: //’ + disqus_shortname + ‘.disqus. com / embed.js’; if ($ .cookie (‘ASsocialOptout’)! = ‘true’) {(document.getElementsByTagName (‘head’) [0] || document.getElementsByTagName (‘body’) [0]) .appendChild (dsq);} else {$ (‘.disqus .optoutSocMed’) html (optoutHTML) .show ();.}}) (); wDisqusCfg var = {disqussion: false}; asms.extend (asms.config, “wDisqus” wDisqusCfg); asms.general.ece.widgets.disqus.init (asms.config.wDisqus); }); blog comments powered by