The first German film version of “The Diary of Anne Frank” has made headlines even before the film hits theaters this week. Last came forward Yves Kugelmann, the managing director of the Anne Frank Fund to word. (Signed for Steinbichler claims to have no contract) He called “Anne Frank” director Hans Steinbichler on, not to take the helm of a planned Leni Riefenstahl film because Anne Frank not serve “as Teppichvorleger for the Nazi director” could: “We can not be part of this Anne-Leni-wedding.”
About the question of how such projects could be ruled out as, in today’s time would have to be ordered something like the ethos of filmmaking could be possibly discuss stimulating – if only enough energy to such to German to engage historical film. The Lord knows Kugelmann, you have to sigh wearily, unfortunately bad, because the direct filmographic Move from Anne Frank to Leni-Riefenstahl project would make senseless the same old German Zeitgeschichtsverwurstung only especially clear. It drags that is already filling some experience a: Ulrich Noethen, the Heinrich Himmler of “Downfall”, has the Fritz Bauer from “The Act General” just abgeschminkt only and smiles as Papa Frank under his mustache kind; because you can easily see that he plays no Nazi this time.Martina Gedeck goes out as Gudrun Ensslin “The Baader Meinhof Complex” and of melancholy and sadness weathered DDR Tragödin from the “Lives of Others” at the start, where the requirements for her dramatic abilities remain manageable because Mother Frank neither . is not particularly loved by the daughter of the film
Writer Fred Breinersdorfer he is finally veteran so far been the dialogues on “Sophie Scholl – the final days” and “Elser” wrote. So he is familiar with the needs of the German television film, the expected time history especially worthy imaging.
If you actually “The Diary of Anne Frank” ask for something like act or content, then you think of a line that at pseudo-detailed inserts along ( “Auschwitz – Recording barracks”) by the Anne Frank story draws (diary get paid, must into hiding, rejoice in hiding, make sounds in hiding, arguing in hiding, kissing a boy in hiding, are discovered in hiding).
If the filmmakers have no idea why they shot him, still remain as a final justification the pitiable classes who are so bored in future history lessons.
Simple Before and After effects
Because the film bored himself to his material. He zaps draw back and forth: Where the horror shows that Happy is also growing at a scene with Nazi lads on the beach followed by a blessed birthday, of flirting with Peter in hiding is switched to the conflict with the mother. It’s like daisies Pluck, only that “She loves me / She Loves Me Not” by “Am happy / I’m not so happy” is replaced and unfortunately “not so happy” out the petals on.
“the diary of Anne Frank” is interested in anything that goes beyond the set said chronicle of events: not for hiding application of the father, not for the supply logistics in the rear building, not for the dangers of Discovered Will abilities, not for being locked up, not for life outside the Prinsengracht.
Are finds the book only to simple pre-post effects: multiple predicted Anne success and fame through journal writing, which probably will lead to tragic murmurs in the audience: “Yes, famous Anne is then also become, just a pity that she could not live to see that. ” Fittingly, Lea of Ackens Anne occurs so self-assured, as if it had been the icon to which it has become after the publication of the diary
To return once more to Ball’s criticism. If the above ethos wanted to talk filmmaking that any position would require the subject. Steinbichler ambition is limited but mainly to demonstrate that you can be scenes from a Holocaust movie look like credit cards Advertising: The camera (Bella Halben) romps subjektivst with the kids on the beach and the lens flares said reflections of the backlight to show the film at the height of contemporary Imperfektionsgesten.
From the horrors of deportation tell
The colors are for arranged beautifully to a concentration camp, and the bad music (Sebastian pill) send strings and piano from the beginning to the chasing the big emotion. The manipulative minor music is not turned off, as Anne told the horrors of deportation to the camera, which is presumably intended as educationally sound confrontation of German viewer with the victims German extermination policy.
Sure, the film in the mastery of his means does not seem, however, because of the light which is in this scene about Annes eyes, reminiscent of the slits of the cattle cars, and that would be – despite their abstraction and kryptotapferem Fourth Wall Durchgebreche – but rather worse kitsch. Just as at the end of the motif-fragmented girls body-Adolescent discourse of the film (Anne would be about menstruation and describes her sexual organ) as unpleasant sexualization appears when the camera looks relatively unabated on the episode strips of “off” commands in the concentration camp.
The good thing about Drogen Zeitgeschichtsforschung management by the German film is, however, that such interest you can always apologize with disabilities. For evil intentions “The Diary of Anne Frank” will simply not enough
In the video. The trailer for “The Diary of Anne Frank”:
the diary of Anne Frank
Germany 2016
director: Hans Steinbichler
script: Fred Breinersdorfer
Cast: Lea van Acken, Martina Gedeck, Ulrich Noethen, Stella Kunkat, André Jung, Margarita Broich, Leonard Carow, Arthur Klemt
production time Slip Pictures, spectrum Pictures
rental: Universal Pictures
length: 128 minutes
Rated: from 12 years
Start: 3 March 2016
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