The new thriller episode with Wotan Wilke Möhring is a kind of transition “Tatort”. Somewhere between smugglers and terrorists: “wrath of God”
The Austrian actress Franziska Weisz as a new “scene” -Kommissarin Julia Grosz. (Image: NDR / Marion from Mehden)
You can think about how the refugee is the allegorical figure of the present. In the refugee himself <"article body" p class = "text" itemprop => told at least some of bigotry, with the richness of poverty, with the overall security of Europe confronts the furrowed by war and economic policy in the world.
In this then becomes even like the Jihadist, the force to identify the figure has excluded, chance and lots Abenteuerwütigen soared. And using that power for the internal pressure of the organization and for PR campaigns. And in both directions speculated on horror and fear.A murder and a Jihadist
In the seventh “Tatort” with Wotan Wilke Möhring as Kriminalhauptkommissar Thorsten Falke is trying to put an end to violence. Hawk after the haunting episode “Burned”, in which was the murder of an asylum seeker by living in Germany half a Dessau police station a fictional dress, some homeless in the police operation. He checks the security of airports, wants to meet his son: “Torben, your mother you’re probably already warned, I’m in Hanover.” However, it not only takes his difficult relationship with Torben between, but a murder and a Jihadist <. /> p>
Commissioner Thorsten Falke (Wotan Wilke Möhring). (Image: NDR)
And so is “wrath of God” a kind of transition “Tatort”: falcon learns quickly the pleasant dry Julia Grosz ( know Franziska Weisz), but needs time to insight: “? you will not find me so funny, not”
No, even of humor Hannover is unknown, but it arrived for loose determine. Because the airport confused the bumbling smugglers Rocky Kovac (Christoph Letkowski) its clients, brings to the wrong man, blurred hastily traces and still find the actual target person: The brash chief of “Braunschweiger Brigades» Enis Günday (Cem-Ali Gültekin) wants terrorist wear in the pedestrian zones and is even a veritable aggression bolt
– & gt;.
tells Up here Director Özgür Yıldırım the plot quickly – Günday must then make but so penetrating on thick trousers that one immediately remembers Yildirim terrible comedy “Blutzbrüdaz” (2011), in which the director ausleuchtete unintentionally, how bad it is with German hip-hoppers .
Incidentally ask Kovac and Günday realize that they know them, puberty transition of a possible most of the troops of the other, the province offered little opportunity today from the way to go, it was enough for deep dislike. No good, now they meet as smuggling and terrorist. Only the smugglers more of a hobby club and the psychological profile of the jihadists is conceivable simple – and just with the caricature of terrorists makes the screenplay by Florian Oeller ( “Storm in the head”) quite comfortably. Since the sweeping hypothesis is close that with more fatherly love and the IS would contribute to curbing.
What keeps us here?
Because of course it needs to be a terrorist attack. The so hemdsärmelig planned to fit to Gündays collar size, and so bad shot that you think, here is the NDR, the budget assumed. But the father’s love even for Aggro son joins in the end everything stays on and somehow left as narrative earnings
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Julia Grosz (Franziska Weisz) shows skepticism in the first case. (Image: NDR)
A little cathartic effect, there is – Julia Weisz recovers hastily from her little psychosis that crystal clear in since their introduction room stood. The path is clear for a new pair investigators because a bit funny they found Falcon but then, enough anyway to keep up in the exciting world of the NDR. Or, the final scene with sunrise, falcon looks at Hannover, on the transition: “What keeps you here?”
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