It is supposed to still be people who keep the superhero comics for kids stuff. For banal, silly, brutal, without history. By this right half, and half is terribly wrong, much like the writer of “Batman v Superman: Dawn of Justice”, a disguised as real film animation in which there are the two biggest stars of the genre together in a clinch. Under layers to layers of computer generated moving images anywhere plugged Ben Affleck, supposedly. But the human moment lies elsewhere.
Consider. A moment Wonder Woman In this country, no one knows the lady, Amazon princess with Nazi phobia and a lasso, which has not only excellent casting performance, but also bound man forces her to tell the truth. The well-known than half Gal Gadot ( “The Fast and the Furious”) plays with twinkling almond eyes and a so cleverly cut dress that you can not help but to talk of a captivating appearance. The psychologist William Moulton Marston invented Wonder Woman in 1941 because his fledgling superhero world – Superman buzzed around for only three years – to male appeared; this ruthless bondage girl who can fend off bullets with its armlets, is an early product of the women’s quota.
If you now know that Marston’s new superhero modeled after a colleague was modeling, with whom he later went to bed, with the approval and Mittun his wife, which is why one could speak of this polyamoren psychologists based on the Fantastic Four of the fleets of three, if you know that, and also that Marston had previously really and truly invented the lie detector, is a gradually realized how much history and skill is still the most trivial superhero.
the director can not help
the world of DC Comics, patent holder of Batman, Superman and Wonder Woman, comprising an entangled multiverse, with tens of parallel realities in which the good are sometimes the evil in which Superman may be dead and alive at the same time. But most diligent researcher and tireless enthusiasts keep track. “Dawn of Justice”, which is a bit bulky is in German justice dusk, is an early seedling in a soon overgrown jungle announced sequels, prequels and probably other Quels: “Suicide Squad”, “Wonder Woman”, “The Justice League” “the Flash,” “Aquaman” are merely the first in the pipeline. The major competitor Marvel ( “Spider-Man”, “The Avengers”) is years enormously successful to the cinema with the translation of his books. DC Comics will not inferior longer.
Director the current Super Sause is Zack Snyder. A few years ago, he was responsible already “Man of Steel”, the first Superman film starring Henry Cavill. The man looks like carved and also plays as: pretty wooden. For this, he recommended that his American smile as toothpaste model. Even better he is, if he keeps his mouth closed – just superhuman, these lower jaw. However, this is a quite faithful implementation of the comic character. Thank Superman is considered the most boring superhero ever. He can fly, is more or less infinitely strong and never gets headaches, not even when a high-rise building collapses on him. You have to understand. He founded the genre, its inventors had no experience. The fine tuning is not sitting, as with Apple devices of the first generation.
so Snyder can not help it. He is a conscientious exegete and translator of the graphic heritage. His interpretation can best be described with historical performance practice. Analogous to classical music thinks that a loving re-creation of the style of bygone eras with authentic instruments. Snyder particularly loves the work of Frank Miller, a grumpy codger who aufhalf again in the eighties a come on the dog Batman. And just by letting him go to the dogs.
Ben Affleck is the baddest Batman of all time
Miller invented the” Dark Knight “, an ambiguous character who, suddenly acted out all inscrutability that had their been inherent decades latent. Elegance more force, magnanimity malignancy, Cool Hass, the rubber suit a tank. In Miller, the bat ears like thorns duck out of the mask, the nose is permanently distorted to Mad fold, eyes flashing bright white and pupillenlos by shooting chart slots.
This Batman, tortured, traumatized flits, sleepless nights, his own incarnate nightmare. Even before the killing, he does not shrink. He recalls the beginnings of self-appointed one-man vigilante: In his comic debut In May 1939 Batman missed a villain a punch, of these let fall from behind in an acid tank
Ben Affleck lack of Pokerface aplomb of Christian Bale from the Christopher Nolan film adaptations. He looks like a nice fatties, the celebrated yesterday too long. At the Klimmstange obviously turnt a body double. This Batman has no easy, he is a driven, who probably does not draw the thick truck tires from health reasons by the Batcave, but out of pure self-loathing. The fact that he usually does not kill people, but only hurt sensitive, in turn is pure sadism.
Superman, O Superman
in” the Dark Knight Returns “in 1986, the comic canon a classic from the rank of” Faust “, Miller makes this sociopathic libertine compete against Superman, for reasons that are not entirely clear. The paranoid curmudgeon do not like Superman’s Mr. Clean image; also no man should have so much power, finds the militarized multimillionaire – particularly if he is not a man but a kind of refugee, an alien from the planet Krypton
at the height of this visually stunning saga Superman stops a Russian nuclear missile in free flight and return them in a desert, live alone melancholy frogs, an explosion. In radioactive fallout collapse his normally vigorous facial features; the superman suddenly looks like a concentration camp prisoner, a sad doll after the wash cycle, with expressionistic sprained limbs.
Synder borrows motives of comics. The bomb goes high in near-Earth space, where Superman when he really was flying through “Faust II”, a homunculus, half human, half Kryptonian, has promoted. Just the homunculus is a clever fellow at Goethe. In Snyder staggers a giant Godzilla zoom, despite its pronounced muscles strangely amorphous, as marked his body outline not thought through plot lines. Under a glowing sky Batman, Superman and Wonder Woman fight this emissary of hell. Logically, when Lex Luthor, the supervillain who created him, Hieronymus Bosch hangs above the bed.
Long no longer so strange ashamed
Jesse Eisenberg, who is known as a trustful-spanned Nerd from Woody Allen movies, plays this villain as spoiled child with lush pocket money. Unlike Wonder Woman’s Amazonian Porn Chic, Batman’s combat robot armor and Superman’s cape Senator Luthor’s fashion moderately more relaxed. Under Seersucker he wears a T-shirt Banksy motif. Clear that he is committed to a non unambitious attack on the Capitol, the seat of the US Congress, a graffiti writers.
While the confused action adamant about a hereinstampft as the piston of the Batmobile, against the new Bugatti looks like a Fiat Punto, sometimes one wishes in a different movie. A romantic comedy with Eisenberg and Gal Gadot, with Jeremy Irons as clueless tuendem Strippenzieher. Here he plays merely Batmans butler Alfred, without being big thing to note. Sometimes he amazed big-eyed at the camera as if he could not believe what must recite as again for a patriotic Quark Batman.
But still better than the love interest-moments that Superman with Amy Adams. In the worst-Fremdschäm moment Clark Kent rises as Superman is, when he exchanged the blue leggings against rigid chinos and the laser views hidden behind a checkout stand, completely attracted to Lois Lane in the bathtub. This is a horror, against the faded the most terrible alien monster.
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