The East: a burlesque. Even the “Tatort” from Weimar was most recently a festival of insanity, now a city entails that had far more media coverage even in recent months. And the madness in “Tatort” from Dresden is perhaps even greater, and especially malicious. From defunct West here testifies only a pitiful remnant. Folk music
Ironically, in the city of Semperoper schwoft the people to horrific playback hits. The beautiful musikantenstadlig staged by director Richard Huber bang bags-dance from blondgezopften performers on stage and sexist before yesterday-men leaves the viewer initially the chutzpah of MDR admire, was not previously known for his self-irony. After less than two minutes, the first class in the historical bad: “This is Marco, he sings his biggest hit”
And then there’s this reckless incorrect scene with the fantastic Martin Brambach, the. the overtaxed by modernity, but in depperter way always humored Commissariat Head beak mimes. He ridiculed women ( “Girl, you ‘ne intelligence intolerance”), despised the “damn Internet” and knows foreigners just hearsay. A dark geratenes photo showing a suspect, he commented with the words “nigger in the coal cellar”. The proposal of CID candidate Maria Mohr – Jella Haase in sad teenager role, for which, however, throughout the film finds a solution – the image brighter to attract, beak tears toward the exclamation: “Mrs. Mohr can alittle bit pull the Negro even brighter . “he laughs so heartily broken that the women next to him for the boss merely” unnerved roll girls “with” emancipated Tick “, with the eyes.
Did he now really say: alwara hofels (left) and Karin Hanczewski look stunned.
But these women are the ones who in Dresden have henceforth call the shots: the eloquent Commissioners Karin Gorniak (Karin Hanczewski) and Henni Sieland (alwara hofels). That the writer of “Stromberg” -Autors Ralf Husmann ascribes them fairly unimaginative private problems – a single parent is the one alone earning the others – can get over it. In service, the roles are clearly defined: Karin Gorniak with her three-weather Taffeta look is the natural-ironic, often tortured three looking Henni Sieland the serious-honest character
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Sly, as they are the main characters can accept this caricature of a criminal case hardly serious. A well-known pop star, Toni from Duo “Toni & amp; Tina “, has been murdered. Two competing Folk Music Manager is deemed as such an inattentive hardcore fan, jokers suspected all. But the latter (Michael Specht) gives the episode a neat kick Parodistische with: His hervorgehusteten word garlands have with macrame Verknotungskunstwerken do on the wall of the apartment his mom more than the German language. The exhausted, however, as soon as the opahaften Sayings beak over everything has arisen in the last twenty years. Higher entertainment value provides the duration slugfest between Gorniak and Sieland that a bit of “Rizzoli & amp; Isles “remember, but just in eierschecke jacket.
We are, it makes the consciously cliché box everting writer no doubt, amidst the Präaufklärung. Baroque it was indeed already happening with a singing Putte in the Dresden Zwinger. Men roar here all nose long “. So I will not treat me – of women” that soon leads this mentality to further murder, is content poorly motivated, but a strong message. One can most likely call this “crime scene” probably a sarcastic comment on the current Image swoop Proud Elbflorenz. We see a city as it should be when the Montagsmarschierer should prevail: alien free, patriarchal, clinging to a caricature of Germanness. “The axis itself looks like to other axes,” someone concluded. Everything will increasingly confusing, complains another figure, everywhere incur mosques: “Because the people want to know that there is a corner where nothing changes.” At the end actually is this time of the triumph of simplicity. The busty Saxonia completed their early broken, patriotic tearjerker “My Saxony”. Yet with the two new investigators a promise given: now cleared
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