As soon as the case a few minutes old, sitting Bibi Fellner (Adele Neuhauser) and Moritz Eisner (Harald Krassnitzer) already in the therapist. The is supposedly only a sauna acquaintance Eisner, he now asks for an assessment of the psychological state of the victim. In fact, the psychologist of the professional man, with the Commissioner a personal “crisis” discusses after work, of whose existence we previously suspected nothing – which was somehow better. Eisner, the secluded, in the deep lack of erotic adventure? To Bibi Fellner to give as a character the necessary balance that makes it interesting and ranged far recurring references to her subdued alcohol problem. In this episode of the “crime scene” from Vienna but it reveals to us as Mr sexual frustration.
No wonder that the psychologist keeps the two for a couple, what they negate horrified just to each other later again implicitly as explicitly to say: Well, the idea quite so absurd is not, it grumbles itself beautiful for two, but now it is too late for a romance or maybe not? What the friendly menschelnde Fellner-Eisner-frame story, a rather unambitious detective story holds together in this Austrian “Tatort”, would be told.
The dead man was a creep
For everything communicates with the crime, Writer Uli Brée rummaged in the box with trash and sex, from which he has moved his “suburban women”. The murder victim depends strangled and with bondage material wrapped in the shower of his luxury villa: a music producer who marketed the candidate a talent show, the but well, we learn, has promoted the search for the ultimate climax beyond Ultimo. Was it murder or accident? A piece of paper with a lyric in a place where you would not have believed him, suggests: Here someone has taken revenge. ? But who
Before Kommissarduo occur: the Dead (Aglaia Szyszkowitz), which seems little shaken and a casting show candidates (Michael Steinocher) widow has a lover; Casting another candidate (Rafael Haider), whose father is dead, but was once the hero of the Austro-Rocks; his mother (Ruth Brauer-Kvam), a moderately successful rock singer who wants to trim the Son of success and Eisner makes beautiful eyes; an exploited by murdered former candidate (Sabrina Rupp) who has attempted suicide behind; their mother with deep sad eyes (Susi Stach) and various cool characters from the cold entertainment industry. All have a motive. The dead man was a disgust against abuse and sexual assault he did not shrink.
It could have been a touching film
A psychologically dense and coherent network of dependencies, dashed hopes and ruined life would have been without the insights via surveillance camera may have in the game chamber of murder victims. So must, as they should cast out devils by Beelzebub, Bibi Fellner and Moritz Eisner a lackluster sex joke after another break: about the parallels between cars and lover about what a revealing light on Bibis Firebird throws which does not start. Then Eisner must free his colleague Bibi per hinted gunpoint from a near-lover who acts not at all violent. What makes little sense, but part of the fun part of staged by director Michi Riebl episode “Shooting Star”
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In the is actually about mercilessly Dissipated talents and sold souls. It could have been a touching film, Rafael Haider and Sabrina Rupp do your thereto. But none of the characters has enough space to develop that goes beyond the Patterns of template life of its own. Too many problems and tragedies pile up until it seems almost indifferent, who now was because the perpetrators. The commissioners are there already so far up (so says Eisner) to give the “sex of age ‘: eating. At the end of a sad pop song rings on a grave, one of the figures, it is no longer holding out, saying: Stop it, please. Quite so rabidly must not be, but that the film is not going on an hour already is a good thing.
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