What do we tell the Writers
Christian Buss?: The music business is like prostitution: sex, crime and exploitation, where you look. After a few more episodes throttled from Vienna Eisner and Fellner have in this environment, so again an opportunity to make cynical comments. The Dirty Cops of their dirtiest side.
Lars-Christian Daniels: you like talent shows? Do not think what the sender them vorgaukeln: All Fake. All artificially. Everything from the front through scheduled to end! And once the camera is off, goes behind the scenes going on the big nagging. Did you know? No matter. We explain it to you anyway.
Joachim Huber: Casting shows can be murderous, orgasms even fatal.
Kirstin Lopau: It’s about the most important thing in life: love and sex. Here, however, more likely to have sex with and without love and. In all variations Particularly bizarre games against a background of singing talent show show the hypocrisy of those formats.
How convincing Commissioners
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Christian Buss: 8 points.
Lars-Christian Daniels: So pointless and unnatural my former favorite Commissioners were rare: 3 points.
Joachim Huber: Chief Inspector Moritz Eisner (Harald Krassnitzer) gets 8 points, Major Bibi Fellner (Adele Neuhauser) also 8 points.
Kirstin Lopau: Both Commissioners, otherwise rather grumpy this time are unusually emotional and provide insight into their private lives. This works very well, so both 9 points.
What is your favorite scene?
Christian Buss: Fellner explains that one could close the car of a person on their sexuality, grins – and come the next day with the roaring flames Pontiac her friend, the pimp debt collection Heinzi, driven up.
Lars-Christian Daniels: “. Please stop” – Helga Sailer (Susi Stach), the mother of a former talent show participant, speaking at the spontaneous singing performance by season favorite Aris Graf (Rafael Haider) in the last scene of the film of what may be thought of so many talent show viewers: It’s time for the closing credits.
Joachim Huber: Eisner and Fellner, both singles, chatting about their relationships. They exchange ideas about what is (not) about what might be, should, would, over and over ambitions ambitions.
Kirstin Lopau: The dialogues between Bibi and Moritz are always good, but this time fantastic! After a sex therapist had two proposed least sexually to try it with one another, both declined with thanks. But suddenly, it matters what the other has with whom and when made remote, whether it be with other dating and where led. We learn a lot about the private lives of both (at last!). So Bibi looks no porn “That frustrates me just They’re always all so pretty and so supple and so motivated..” And Moritz has apparently already completely finished with the topic of sexuality: “How about sex age food?” As the commissioners that wind around the subject and for each other, is glorious to behold.
What is the most embarrassing moment?
Christian Buss: At the end there is a scene that is built like a bad music video. Is this serious or ironic? One does not know.
Lars-Christian Daniels: Let’s talk about sex, baby Eisner and Fellner seem especially in to find the first film half great pleasure in each other to regret their momentary lull in the bedroom. Embarrassing highlight the weary reflection of one’s own sex life: the visit to the talkative sex therapist Dr. Peter Paulo dos Santos (Rainer Wöss), whose exotic name is still the most exciting thing about this unusually weak Crime in Vienna.
Joachim Huber: Kriminalassistent Manfred Schimpf as Assi-Punch.
Kirstin Lopau: I thought Strickmützen on young male heads were finally passé? Obviously not.
Your Appreciation for the result?
Christian Buss: 7 points.
Lars-Christian Daniels: 3.
Joachim Huber: Candid eight points.
Kirstin Lopau: 8 points.
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