Thursday, February 4, 2016

Charlotte Rampling’s 70th birthday: The towers withstand – Tagesspiegel

20:23 by Jan Schulz-Ojala <- inteaserpicposition: 1 -> <- self.position: 1 -> <- classid: hcf-center -> <- position: center -> <- textposition! : hcf-text-left -> <- inisprint: false -> <- inhaspic: true ->

the British actress is the first time for the Oscar nominated. And almost gambled away its chances – with a sharp minority opinion. A somewhat different appreciation for seventieth.

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When it is the first time time to take a life balance? With 40? Just do not (although, at least a chic mid-term review would not go). With 50? Even more, but there is a still soo much before. With 60? Difficult phase, the next question. With 70? You could at least try times.

This Friday, February 5 Charlotte Rampling is 70 years of age, and of the balance can be no question. Nix retrospect from from armchair: Finally, this wonderful British actress, just the first time nominated for their furious starring in Andrew Haigh’s “45 Years” for an Oscar, walked just two weeks before very far outside and has courageously in the midst of the storm put

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What they interviewed for the and very heed value – – transmitter wanted to say “Europe 1″, perhaps what you just wonderful British colleague Michael Caine, with its 82 years the relaxed life Bilan wallpapering an idea closer, mutatis mutandis was has put it: Always the great individual performance should perform an Academy award, not the membership of a particular skin color. Rampling hand found the massive protest against the current non-nomination black actor “racist against whites” and even added to, maybe the black colleagues this time were simply not good enough.



A blemish forever?

Especially sent was not, a fortiori, in light of their nomination. This also explains why she pushed a relativierendes interview afterwards, coupled with the praise for the Oscar Academy, the future to do more for the inner “diversity”. Rampling’s own Oscar chances against Cate Blanchett, Jennifer Lawrence, Saoirse Ronan and Brie Larson now nevertheless tend towards zero, as their performance may still be outstanding. Ironically, it would be honor to fuel the dispute with the militant black minority in America even more

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What does Rampling’s push for the exercise of their professional power – in a time in which increasingly controls the membership of ideological camps views on personal artistic achievement? If the actress now forever as the white racist because, as they denounced the so-called social media? What role the career threatening courage for unpopular opinion in the future birthday budgets will play, who are still plenty to wish her?



loneliness, a theme

Let’s talk, of their fundamental fear of people we speak of the loneliness that characterizes their biography we talk about her life trauma, the secret they had to preserve the suicide of her three year-old sister, for decades. The decisive escape from the family in his early twenties was a consequence of it. Likewise, the scandal rolls (best known: Liliana Cavani’s “The Night Porter” 1974), the crises and depression in middle age with moderate acting challenges. Before committing, under the direction François Ozon, as it were invented to himself.

In “Under the Sand” (2000), their first in the Artistic flipped mourning, she played a woman with unexplained Verschwundensein her husband must live – and these discrete, inquiring, brave, closed figure is found, varied indeed, several times later in his films and makes Rampling’s distinctive style. Right up to that Kate, who must learn to see new as a mature woman her husband in “45 Years” and loses. Of course they should get for the Oscar. And if not? . No matter, no matter

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