Crime scene: Weak case, weak jokes – and Helene Fischer – RP ONLINE

5th October 2014 | 21.45 clock

“Tatort: ​​winter fog” from Lake

Weak case, weak jokes – and even then Helene Fischer

pictures from the crime scene” Winter Mist “ PHOTO: ARD photo

Konstanz. The “crime scene” from Lake Constance lies in the favor of ARD viewers not very far forward – and rightly so. With the episode “Winter Mist” from Sunday evening of the crime series goes into the tide of ever new venues below. By Christian Spolders

Christian Spolders

editor at RP Online

Christian Spolders is editor of RP online and deals with topics such as sports and current affairs, as well as television and Internet hype

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   googlesrc var = ‘% 3Cscript src = “http:%2F%2Fpagead2.googlesyndication.com%2Fpagead%2Fshow_ads.js”Winter Mist” pivots the action quickly to the 20-year-old, was involved in the kidnapping of one of the dead, the other dead only bothered in the abduction and had to die for it. That the fatal shot of Lüthi on the fugitives potential for a full-length thriller, has interested director and screenwriter Patrick Winczewski Jochen Greve unfortunately only in passing. The story would be much more exciting than the therefore coming very boring ransom of a yo-yo playing kidnapper, especially surprising turns completely absent.

ranking: The highest ratings” Tatort “teams since 2011 PHOTO: AP, Sven Hoppe

Instead of focusing on the act of a gripping thrillers, the director, and screenwriter lose in trifles. You build, there she is just so popular a song (“Te quiero”) by Helene Fischer a, as Blum and Lüthi evening drink one or another beer. You have the head of one of the two killed at the beginning of the Mystery Men Tell bad jokes (“What is spoken in the sauna?” / “Why are eleven blondes at the movie theater?” / “Why can not swim an excavator?”). And they repeatedly show how innovative is the police on Lake Constance, finally it works with tablets and GPS.

Unfortunately, manage, unlike Wotan Wilke Möhring and Til Schweiger in Hamburg and Jan Josef Liefers and Axel Prahl not conceal in Münster, the protagonist has a weak case in all respects.