Monday, February 29, 2016

Oscars 2016: Gala with plain text – Tagesspiegel

15:33 By Christiane Peitz <- self.position: 1 -> <- classid: hcf-center -> <- position: center -> <- textposition: hcf text-left -> <- inisprint: false -> <- inhaspic: true ->

Politically, witty, clever: Chris rock brings the 88. Oscar gala an unforgettable appearance and Tom McCarthy journalists drama “Spotlight” wears the deserved victory.

<- inteaserpicposition: 1 -> <- self.position: -1 -> <- classid!: ! hcf-inline-left -> <- position: left - textposition> <-> <- inhaspic:! true -> <- ! - include ps2> <- self.position eq 2 -> <- inteaserpicposition: 1 -> <- self.position: 2 -> <- classid: hcf-inline- ! left -> <- position: left -> <- textposition: -> <- inisprint: false -> <- inhaspic: true ->


the never seen before: that the star of the evening, the moderator is and reaches the Academy Awards in the first ten minutes peaked. The surprise of this vintage – the journalists drama “Spotlight” for best film and not Alejandro G. Iñárritu radical Western “The Revenant” – that facilitate the evening – finally a golden boy Leonardo DiCaprio – who most moving moment of the three-hour gala – ovations for film music doyen Ennio Morricone – all this was topped by the appearance Chris Rocks at the beginning

As merely the comedian will address the tricky task, elegant, sharp and politically correct that. to address #OscarSoWhiteDebatte? Well, he did, when he shamed the disposition policemen and Abwiegler, anti-racist and anti-anti-racists with pure confidence. With virtuoso political incorrectness and that sarcastic wit that holds reality the mirror.

<- inteaserpicposition: 1 -> <- self.position: -1 -> <- classid!: ! hcf-inline-left -> <- position: left - textposition> <-> <- inhaspic:! true -> <- - include ps1> <- self.position eq 1 -> <- inteaserpicposition: 1 -> <- self.position: 1 -> <- classid:! hcf-center - !> <- position: center -> <- textposition: hcf-text-left -> <- inisprint: false -> <- inhaspic: true -> <- inteaserpicposition: 1 -> <- self.position: 2 -> <- classid: hcf-inline-left -> <- position!: ! left -> <- textposition: -> <- inisprint: false -> <- inhaspic: true ->

“Welcome to the White People’s Choice Awards”: skirt wearing his black skin in a white suit to market and welcomes the public to dial the whites prize. Giant laughter tremendous enthusiasm, Ries Enver disturbance in the hall – his brilliant all-round attack politicized the glamor in the Dolby Theatre in L.A. from the first second.

First, rock the Academy buttoned front: Although presenters would nominated, he would never get the job. Then the protesters are off those black celebrities who urged him to throw the job: “Why not recommend a something only unemployed?” Then the Academy’s turn again: “This is the 88th Annual Academy Awards. Which means that it, no nominations for Schwarze’ thing was this already at least 71 times. “At that time, in the sixties, was the only reason why nobody protested because” we were too busy to be raped and lynched to us to care who wins the prize for best cinematography. If your grandmother dangling from a branch, it is quite difficult to be interested in the best foreign short film documentary “

<-.! self.position eq 3 -> <- inteaserpicposition: 1 -> <- self.position: 3 -> <- classid: hcf-inline-right -> <- position: right -> <- textposition: -> <- inhaspic:! true -> <- self.position eq 2 -> <- inteaserpicposition: 1 -> <- self.position: 2 -> <- classid:! hcf-inline-left -> <- position: left - textposition> <-!> <- - inisprint: false> <- inhaspic: true ->

Chris rock talks about Hollywood subtle racism

Then the protesters get it off again: that Jada Pinkett Smith boycotted the show, is about as, “as if I would refuse sex with Rihanna: She has not invited me” Although Jada was pissed right about the fact that her husband will Smith was not nominated for “Concussion”. “But it’s also not fair that Will 20 million for, Wild Wild West ‘conceded.”

This time but to commemorate those blacks After his proposal, at the recollection minutes for the recently deceased celebrities who were shot on the way to the cinema by police, Chris rock is finally the question of racism in Hollywood. And describes him with his slightly scraped voice as subtle exclusion mechanism à la “We find you nice, but you do not belong to our club.” Since it is a short silence in the hall.

Here
Shall not the art of film, but the culture of living together – which has yet again a lot to do with the essence of the cinema as a social event. They have always Gala was a mix of business sense – Oscars boost business and salaries -, self celebration and political stage. Vietnam, AIDS, Iraq war, discrimination against women, gays, blacks, poverty, hunger, climate change: the Oscar stage the liberal America positioned. A more easily probably Feiles ritual when about Leonardo DiCaprio us all prompts you to save the endangered planet, Academy boss Cheryl Boone Isaacs asserts its commitment to diversity again or US Vice President Joe Biden harvests enthusiastic applause when he for the “It’s On Us “campaign against sexual abuse advertises.

<- self.position eq 1 -> <- classid: hcf ! center -> <- position: center -> <- textposition: hcf-text-left -> <- inisprint: false -> <- inhaspic: true -> <- inteaserpicposition: 1 -> <- self.position: 2 -> <- classid:! hcf-inline-left -> <- textposition: -> <- inisprint: false -> <- inhaspic: true ->

but now, finally, the films: the Oscar for ” Spotlight “is not only an old-school drama about the concealed from the Church and the reporters of the” Boston Globe “uncovered abuse scandal, not only a brilliant writer (it’s was a second Oscar) and intelligent ensemble. . But a film that exposes America’s cruelty in the supposedly civilized presence and those honors, the other hand holding brave

A straightforward, highly intelligent film: Tom McCarthy winning film “Spotlight”

the Courage of “Spotlight” reporter in Tom McCarthy’s comparatively rectilinear genre film is, as the counterpart to DiCaprio for justice dürstendem vendetta in the cruel winter world of “the Revenant”. Its confrontation with the pre-civilized America, staged with physical force and a good old analog cinema evocative naturalism, the Academy was worth at the end after all three awards: for DiCaprio extreme hardships for Emmanuel Lubezkis camera and director Inarritu. The Mexicans residing in L.A. is the only one who ignored the audible onset Walkürenritt bouncer music after the 45-second acceptance speeches allowed – take up to Chris Rocks theme. Loudly be Iñárritu claims against Wagner by expresses the desire tribalism of “Revenant” time may be overcome and the skin color of a person soon be as irrelevant as the length of his hair

<-.! self.position eq 3 -> <- inteaserpicposition: 1 -> <- self.position: 3 -> <- classid: hcf-inline-right -> <- position: right -> <- textposition: -> <- - inhaspic! true> <- inteaserpicposition: 1 -> <- self.position: 2 -> <- classid: hcf-inline-left -> <- position: left - textposition> <-!> <- inisprint: false -> <- inhaspic: true ->

After all Iñárritu first filmmaker since Joseph L. Mankiewicz 1950-51 to win twice in a row the Best director award. That he was spurned by the main price in favor of “Spotlight”, has probably to do with a recent Back afraid of Academy members before Iñárritu cinema of cruelty. Certainly with its last year’s Oscar for “Birdman”. Both winning films celebrated way at Filmfest Venice world premiere: “Birdman” went 2014 empty, “Spotlight” ran out of competition in 2015.

Also the Abräumer the evening draws the honest picture of a fiercely competitive, but real non-existent social harmony. “Mad Max: The Fury Road” received six trophies in the technical categories: The gruff sci-fi action spectacle with all the desert freaks supercool souped vehicles reconciled longing to the fun, the sarcasm of a Chris Rock with the humanity of a film like ” Spotlight “. The “Fury Road”, the women beat just fearless as men – so much diversity is in the future, after all, there

PS: And the Germans.? Did the cold. The short film “Everything will be fine” misses out, with the six-nominated Berlin co-production “Bridge of Spies” it is sufficient for the supporting actor Mark Rylance

. <- self.position: 1 -> <- classid: hcf-center -> <- position: center -> <- textposition: hcf-text -left -> <- inisprint: false -> <- inhaspic: true ->

LikeTweet

No comments:

Post a Comment