The planned final show of the RTL show “Germany seeks the superstar” in Kloster Eberbach heated in Rheingau tempers. Critics complain that the spectacle was incompatible with the tradition and dignity of the former Cistercian abbey.
The Managing Director of Stiftung Kloster Eberbach, Martin Blach, defended his decision on Tuesday in Eltville: The cooperation with the private station was for the monastery and the region a unique opportunity to present themselves to the public. The pledge was a “difficult balancing process” headed.
“Especially the young generation shows downright enthusiasm and such an unprecedented interest in our house” said Blach. Of course, the monastery visit will not be the primary goal of the young people. Yet curiosity am awakened.
In addition, in the words of Blach the economic aspect, for example through the rental income and additional guests for hotels and restaurants around the production in April.
the Friends of Kloster Eberbach see the spectacle very critical, mainly because of “moral and ethical issues,” said chairman Wolfgang Riedel. The management go a big risk, with relatively low rental income. “This sum is a Judaslohn” Riedel said.
He doubted that the monastery win a younger audience about the show at the Basilica addition. “But the other, hanging with heart and soul at the monastery, which will lose it.”
The Cistercian abbey was founded in the 12th century. She served among others as a backdrop for the film “The Name of the Rose” with Sean Connery or the TV series “Game of Thrones”.
An RTL spokeswoman explained the special circumstances of the monastery will be taken into account at all points. “Just because of the features that make the monastery unique, we will ‘Germany sucht den Superstar’ produce there and of course put us accordingly.”
The Hessian state Administration of Cultural Heritage sees in the show also an educational potential. It would thus many young people in the system that could be sensitized possibly for the special value of the monastery, said President Markus Harzenetter.
“The secularization of the monastery is back over 200 years,” he admitted concerns. The rooms were a use for church music and classical concerts as well as more modern popular music.
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