Entertainment
Friday, 26 February 2016
To save the German Euro Vision Song Contest Honor, it takes a 17-year-old talent show winner: Jamie-Lee Kriewitz wins the qualifying round and moves to Stockholm. Anyway, she can not say anything else announced.
Somehow you had misled the whole evening to empathize with Xavier Naidoo. He will next gather at “Sing My Song” again German pop and rock as Nena, The BossHoss and Annett Louisan around. But the German preselection for the Euro Vision Song Contest (ESC) he could now only once the likes of Ella Endlich, Joco and Laura Pinski peep. And by the way might bite into his pillow, because she and not he were standing on the stage. Or laughing out loud.
For what the people responsible had filched by the Ex-und-Hopp-flop with the son of Mannheim in Cologne, was like a little Barbara Beautiful Bergers Resterampe. “Without Xavier we have to be brave, but this show offers so much more,” she tried, accompanied by piano, even more music to save what could be saved in this way. And is true: At least “Babs” – brought up by the way for the ESC 2017 this week – had a lot to offer. As ESC chatterboxes veteran Peter Urban. To create the right mood to Schoneberg was even not too bad to be seated in the small blue on the spread lap of a confessed Ralph Seal fans. And Urban has raised with his comments a touch of the real ESC feeling until it was turned to the middle of the show out at once for some unknown reason the juice
But at least one was fixed from the outset. No matter what would win fair chapel the qualifying round – they would definitely go to the ESC-finals in Stockholm. Or how did varied to emphasize Schoneberg repeatedly: “If you make me going, baby, then I’ll mincemeat out of you.” After all, they had the Eurovision Song Contest participation still aufschwatzen like a pharmacy Arrange SUBSCRIPTION poor Ann-Sophie after Schwanzeinzieher number of Andreas Kümmert last year. And the shock of sitting apparently with her still deep.
A Musical World War
“No longer 0, which are what I want” was the second mantra pulled by the show to give a bit of peace to the German ESC soul. Unfortunately unsuspected most of what there in the preliminary round cavorted, all texts about Peace, Love & amp; Harmony defiance like a musical World War. It started with trivialities like the sisters duo Joco and his karaoke charisma to the song “Full Moon”. In sleep aids such as spite Bar Music Sound stoned acting keoma with “Protected” it continued. And at such impositions Woods Of Birnam with “Lift Me Up (From The Underground)” by singer Christian Friedel it stopped. So little Rick Astley Charm never existed since Rick Astley. But nice that in Dresden now apparently at least golden bomber jackets are hip
Since you would have actually even more the Schlager Group Forward desired. Ella Endlich with their adrenaline-killing “Breathless” -Verschnitt “Adrenalin ” about. Or Luxuslärm with “As long as love in me lives”, although a “I’ll build ‘from ruins a throne” befell the idea in the text line: you want but now probably not seriously from this song debris build the ESC throne! By Laura Pinski times to mention. Your of “Mister Grand Prix” verzapftes “Under The Sun We Are One” let it run a really cold down the spine. But her dress and the projections were on it – it we will give you, so to speak, signed and sealed -. Be nice
The wannabe Monks of Gregorian delivered while a performance between style real fire magic and in their habits rather of the Jedi Ritter reminiscent laser effects from. But at least would have had in her “Masters Of Chant” a good portion of ESC pathos. Ins finals managed but three others:. Avantasia, Alex Diehl and Jamie-Lee Kriewitz
Authenticity vs. Class
That Diehl and Kriewitz would belong to the favorites of the show, kicked off already in Prior to the decision, the sparrows from the rooftops. And the Facebook star from Bavaria and the winner of “The Voice of Germany” underlined with their performances in the show their ambitions. One may indeed have Diehl “Just a Song” ridiculed with his peace anthem as optically failed, although musically matured Reincarnation of Nicole. But in any case this is “great, great man” (quote Schöneberg) something that the preliminary decision stood out: authentic. And you may well Kriewitz with her song “Ghost” as crazy, although striking talent show victims have dismissed. But this mixture of “Rihanna goes Björk” (again Original sound Schöneberg) has something that definitely made the difference in Cologne: international class
It had in this regard actually Avantasia the big mouth.. Full-bodied, her singer Tobias Sammet defiled in business film with the self-praise, they would, after all, go to the “world tour” and have followers who “should not be underestimated” were. On stage Sammet had then however about the aura of Scorpions Klaus Meine Schluffi in red coat of a circus director, while long since committed Forgot hoped hardrock atrocities of the ’80s with “Mystery Of A Blood Red Rose”. However, unlike many Wacken disciples of common ESC fan no palette cans of beer then perhaps it downed to find the good.
mainly “hard”
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By the spectators Avantasia hoisted on the third place, it nevertheless corresponded to the stereotype that this country everything even somehow Teutonic “hard” comes along, very well received. In triple-finals it brought the combo to 21.6 percent of the vote. Alex Diehl ended up at 33.9 per cent. And Jamie-Lee Kriewitz admitted with 44.5 percent from the Resterampe. The international class defeated the authentic mass, so to speak.
Everything else would have been a real irony. Nevertheless, the German ESC responsible should even think about what it is that a Facebook phenomenon and a 17-year-old “The Voice” -Gewinnerin them to pick up the coals from the fire. As long as the record labels comprehend the qualifying primarily as an experimental stage for the push-border acquisitions, live “young” ARD radio here parochial quirks and is otherwise gathered what in three is not on the trees, the competition to forfeit into insignificance. No, no one wants to enter 0 in Stockholm. And above all, no one wants to ridicule. With Jamie-Lee Kriewitz is that opportunity. Under the circumstances, it was pretty much the only one.
Source: n-tv.de
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