Sunday, June 5, 2016

Berlin “scene” with Becker and Waschke: Life is All You Get – n-tv.de NEWS


 Entertainment

 


 Sunday 05 June 2016

 
 
 


  From Ingo Scheel
 


 


 
 Many colleagues would like to know what the Berlin “Tatort” duo clouded appears to be obvious: a little secret and personal drama. The last event before the summer break, Meret Becker and Mark Waschke play in the A-list of crime-collective.

 


 
 

You would like that yes all somehow manage to the scene crews all over the country. equip your Commissioners with enough quotenstärkendem secret mingled with vice and love life, wit and madness, with private underbody and official superstructure, all at a reunion stoking amalgam. The crews arranged between unobtrusive and entertaining, the city set in the right light, hit the sound. Oh, and of course, a case so exciting and mysterious that one hardly dared to blink.

may How do seemingly saying that now shows the Berlin team with Nina Rubin (Meret Becker) and Robert Karow (Mark Waschke), which finally settles with his third event in the forefront of the nationwide “Tatort” -Kollektivs. In the center, so it even a are in this scale as a loose collage Crime, is the murder of Katharina Werner. In the parking garage of a shopping center it is driven over the pile and eventually killed at the second attempt. The trail leads to man (Steffen Münster) and son (Béla Gabor Lenz), the keeper of Tatfahrzeugs, Birgit Hahne (Valerie Koch), who has had an affair with father Werner.

advised to focus upon evaluation of the camera records the department store but quickly girlfriends Louisa (Cosima Henman), Paula (Emma Drogunova) and Charlotte (Valeria Eisenbart). The fact that the three have something to do with the fact, it seems clear at first, but the cell phone doting Pubertanten give just as closed as arrogant. Arrogance is the keyword – since that is topped by colleagues Karow whose confidence literally glows in the dark. That which comes very entertaining, is to mark waschke, which not only looks quite exquisite in blue pinstripe suit – and also naked makes on the leather couch a brilliant figure – but the also fairly elegantly combined his narcissism with Grips and repartee. That he slides all the face of his own involvement in a case from the past short time out of his hands, makes him a type more interesting and more fun.

Also colleague Rubin as their own thing going on. Separated from hubby, ignored by the son of man, also comforted by the white wine only temporarily, their slipping even hand out, suggests the nervous ailing Commissioner in affect a suspect. One does not know exactly, on the heels of which story one should attach here. The private dramas of the investigators, the dilemma of overworked parents juvenile Mallrats, make the party in stolen cars, on their phones hanging like the infusion tube, into their networks called “Fickfehler” and which “Bullenfotze” so easily lips is like a pre-chewed gum.

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“We – her – she calls” author Dagmar Gabler this case, the Director Torsten C. Fischer no frills, sober, straight, close and staged. This goes to the heart. Here the figures in groups next to each other and yet never really together. In union in the struggle for happiness and redemption and simultaneously characterized miles away from each other: The ancients of the children among colleagues, hardly anyone understood the others because they may still so far tearing eyes. Or how Paula is so summarizing so ambiguous as aptly after the confession: “I’m not reach”

Why does everything in its sometimes diffuse mounting that almost completely dispensed with weighting and Whodunit Joys, like this. voices comes? Perhaps because here is just not underlined by Edding, make no difficulty stilted Biography patterns the plot watery, the types in their roles a few inches therefore come more authentic than many of their colleagues Ad Slot. So much so that at the end of sets in that sense that one hardly knows the linear old school Glotzen. One could of direktemang watch the next episode

  Source: n-tv.de
 


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