measured steps goes the young man down the stairs, takes off his bath towel and jumps into the swimming pool. He calmly pulls his tracks, the first, second, third, climbs out of the pool, dry off and go from so pensive, as it came. The corpse at the bottom of the pool he does not notice. Or he can just say nothing? A moment later heard a cry – the psychotherapist at “Haus Schwanensee” has discovered the Drowned
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Commissioner Thiel ( Axel Prahl) makes at the scene especially noticeable yourself, so murderous a bad mood, as he is. He curses under his breath, slip out and will only be tolerated when he (Friederike Kempter) may wegfuttern the Pausenbrot Mrs Nadezhda Krusenstern. With hunger in the belly Thiel is unbearable. The narcissistic Professor Boerne (Jan Josef Liefers) in turn is just in a diving suit in the mirror and making dry runs with snorkel, in five hours is going to be flying. “Not according to Malle, Thiel! In the Maldives! “He barks to the Commissioner over the phone, running in the background Tchaikovsky’s” Swan Lake “. A quick look at the dead want the coroner still throw and then? Then it’s off on vacation.
Neat Gemütlichkeitsfernsehen that does not upset
The audience of Münster “crime scene” know of course that Boerne has never managed to relax on distant shores, and so it will be now. It can be of Thiel’s father Herbert (D. Claus Clausnitzer) towards the airport chauffeured in a rush back and forth, which make the two big eyes, because they are flashed twice, and already the professor is again right in the case hires in psychiatric Clinic and wrestles with the Commissioner about who may ask the patient that are mentioned in “Swan House” only “visitors”, first. Who wants to the South Seas?
So it’s all as ever in “Tatort” from Münster who is not a crime, no knotless comedy but as a teleplay the counterpart to folk music or Rosamunde Pilcher Evening: neat Gemütlichkeitsfernsehen, not upset, not provoked , does not hurt, nor even surprised. Just as it wants the audience. Axel Prahl, Jan Josef Liefers, Christine Urspruch as pathology assistant “Alberich” and Friederike Kempter (the homes to always better) to play the squabbles routinely shut. See them on Sunday as many as nine million people, the makers have to think. We have done something wrong
tableaux for frame
But the screenwriters Thorsten Wettcke, Christoph Silber and André Erkau (who also directed by) do everything as always, and the secure number you are likely to have success. Where you need to be saying something very boring, the dramaturgy is already. The trimmed on Witzigkeit dialogues lose after the first quarter of an hour at pace, the plot sags, the main characters are capricious as ever, ideally occupies the guest roles, but gain little contour, and the case structure is a cumbersome narrated joke.
© WDR / Willi Weber
It was not until it comes to the psychiatry and the question whether one of the relevant underlying of the track “visitors” Mona Lux (Jessica Honz) killed or the hospital director, with whom she had an affair, or the autistic Andreas Kullmann (Robert Gwisdek) who swam to her? Or it comes to tax fraud and Italian mafia transactions, in which the Exliebhaber of the dead could be involved? Or something entirely different? Somehow everything dissolves, like – it does not matter, but beautiful to look at, because the cameraman Gunnar foot makes exquisite work and a picture tableau next to the other notes that you want to frame equal to
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At the end of Boerne and Thiel have pedalos to prevent another murder. You get out of sync and go in an entertaining way swim -. As always the “Tatort” from Münster
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