“Life”, says Dieter Hallervorden, but is comparable to a stage play: “It does not matter how long it lasts, but how interesting it is,” .
The Ernst-German theater in Hamburg is open until the last seat. There is prayerful expectation. The two artists, who make up the first lift over their imaginary student funny, who has hired a private tutor for the subjects of music, dance, fencing and philosophy, giving merely the prelude to this theater. When he finally arrives, this Monsieur Jourdain, “Le Bourgeois Gentilhomme” to make strictly according to Molière ridiculous? It does not take long, and the tension in the audience dissolves. He’s there, the protagonist, dressed – like the others – in a historical costume that looks like a fashioned brocade curtain. Dieter Hallervorden enters the stage.
© Imago Dieter Hallervorden as Monsieur Jourdain
Dieter Hallervorden as Monsieur Jourdain
Who right now incident “Palim, palim”, a bottle of French fries or the cow Elsa, which is not wrong, but not reckoned with this actor and not seen his recent films on television and especially the cinema. Not “The Girl and Death”, not “His last race” and not “honey in the head”. The audience in the theater knows the movies seem. But it also knows the legendary sketch Parade “nonstop nonsense” and expects punchlines. The coming, but not only, and not in the clock and only from time to time with the brutality that lay Dieter Hallervorden of the day, when he was “Didi”.
Didi, that is the crazed character in the seventies and eighties, who jumped from one to the next Fettnapf and keep many of Dieter Hallervorden’s doppelganger, but he understands as “a sort of half-brother”. In its role, tells Hallervorden after the performance, he did it “enjoyed being a child again.” But there were very solid reasons for this figure. She brought “finally some food into their pockets”, helped pay off a big loan and to open the untapped Berlin Schlosspark- theater again. EUR 1.7 million own money has invested in the house Hallervorden. He wanted, as he says, “bring a cultural institution back to life, which remains independent of my person for Berlin”.
Here he had seen play as drama students all Berlin sizes of the guild. So he became the artistic director and a second time to founder. In 1960, he picked up the cabaret “The voles’ from the baptism, 2008, the Castle Park Theatre opened again. “Buildings that are created for the audience closed make no sense,” says Hallervorden. Very easily. And Didi? “I’ve never claimed to want to play him until the end of life. Had I, His last race ‘competed with the means of Didi in, you could enter the film in the garbage. “
“His last race” was the turning point, the finish line, with their achievement he could not necessarily expect Hallervorden-awaited, however. The director Kilian Riedhof, from which we will soon see a film about the Barschel affair, Hallervorden was the chance to show what he can do. No patter, anywhere. Instead, the character study of an old man who is running for his life. Does not want to vegetate in a nursing home, but look forward. That says Hallervorden, was the “lucky break” ever been because of the man he plays, it corresponds to one hundred percent “. One has to get up at least once more than fall”
This tells Hallervorden with a set pathos that betrays the effort that he has behind him. That may sound bitter if it is expected on any occasion that he, barely there, immediately makes any faxes. But that can also come across as carefully.
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