Since it is again, the love lousy Vienna, with its abgeranzten Establishment and greasy brutal pimps. It could of course be Berlin, because particularly original is the story of Eastern European women who are forced into prostitution, of course not. But in Berlin nobody would something so wonderfully self-explanatory saying like, “stirring du net on Watschen Tree” Therein lies the appeal of Vienna “crime scene” that Bibi Fellner (Adele Neuhauser) talks like that. One could listen to her for hours.
The Bibi even saves this crime, the “Art of War” comes under the high-sounding title. A Oberlude, the running around (Michael Fuith) in raccoon fur coat has, tattoo themselves the title of the famous book of Sun Tzu on the fingers and cites a like, two sentences from it. The guy is so cultured that he runs opera arias when he is with his hookers poolside. Great. If you have already seen somehow multiply.
The script groans. It begins with the fact that Thomas Roth (script and direction) can move in the SEK, because a dog does not stop barking at the door of a city known criminals. This Turk hangs inside with cut out tongue over a chair. His hands are also gone. Sawed off with an electric kitchen knife. “When alive,” the pathologist said later. After the tongue! And as a spectator amazed you what man apparently everything withstand so, or how long he can hold.
The colleague from the Department for Organized Crime (Kristina Sprenger) of Bibi Fellner and Moritz Eisner (Harald Krassnitzer) then a little lecture considers the fact that smuggling and trafficking “very often!” Go hand in hand, and that Istanbul and Ankara, the Turntables. But knowing the two of course a long time, and the audience knows it somehow, only of Thomas Roth apparently do not know that there are quasi all know.
The plot is – sounds like a contradiction, no one is – predictable and confused. But Neuhauser and Krassnitzer are acting so well that this “crime scene” anyway you look over. The Krassnitzer so the Eisner, has it privately to do just as well with a Turk. His daughter is contracted with Kerim. Eisner feels lonely and a little mean and lists the types just enter “Kermit” …
Well, the Austrians, it is amazing. If yes Doll what the dare so! And then you think that it – the Chechens still get neatly from what – actually times is quite refreshing when someone whistles so unceremoniously on the rules of political correctness.
“Tatort: The Art of War”, September 4, 2016 ARD, 20:15
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