A Christian refuge space for people of other religions. And a mighty push through the dome to the limits of our solar system: new Bayreuth “Parsifal” is the first lift out the quite strange rituals of blood-drinking Gralsritter. Hartmut Haenchen as a stand-in at the desk explores meanwhile from dynamic development potentials. One thing is also certain: DC, in the second act, Parsifal is seduced in a kind hammam. Director Uwe Eric Laufenberg had previously promised to try to show Islam-critical staging. Let’s see how he manage to do it until the end of the evening.
As soon goes Bayreuth live on the Internet, as well as respond to the social networks .: As this year’s opening of the Bayreuth Festival live in around 100 cinemas in Germany, Austria and Switzerland, but is streamed as on www.br-klassik.de, the Twitter comments accumulate to Uwe Eric Laufenberg’s “Parsifal” -Neuinszenierung. The idea running since Monday 16:00, before the first hour break on the Green Hill found himself shrewd as expert comments under the hashtag Bayreuth Festival. “The chorus of the Bayreuth Festival is the best in the world,” writes user Amfortas in Italian, “woodwinds and brass in great shape,” said another comment. Great pictures, they say, or: “Bärenstark, the Grail scene!” An English Tweet believes to recognize the northern Iraqi city of Mosul in the stage – the Google Earth flight through space to Verwandlungsmusik ends actually about in Mesopotamia, that the present-day Iraq. A user thinks twice about whether the cameras for the live stream at the Festspielhaus might interfere – we can assure, no, the police cameras before Festspielhaus interfere somewhat more times. On the singers, including Klaus Florian Vogt as Parsifal, is not so far received via Twitter in detail, only Gurnemanz alias Georg Zeppenfeld reaps first laurels.
“Refreshing conducting. Rather unholy”, Hartmut Haenchen praised
In the science fiction potential of Richard Wagner Bühnenweihfestspiel of Tweet’s “Verwandlungsmusik. Where is Star Trek?” a, the 140-character Vision “and somewhere there in the universe hovers Meese past” is a cheerful nature. The scandal artist Jonathan Meese was originally intended for the director, but the festival management terminated the contract with him, allegedly because his concept was too expensive. At the desk, there was an even shorter-term change: For the bailed shortly before the premiere Andris Nelsons took Hartmut Haenchen. “. Refreshing baton rather unholy” tweets Klavierissimo, asks further: “When is the C, which has been always played as Cis”. Haenchen had before the premiere in interviews about the “Sueddeutsche Zeitung” says that he conducted after the first performance score in which at one point is a C listed. Violas and trombones have however always played in Bayreuth a Cis, by outdated, wrong note material.
“Thorn Pope’s Jesus among organic farmers,” sighs a
During the break between the first and second act accumulate naturally the comments: “Over mountain” word plays a spectator who probably does not agree with running Bergs directing concept. to have “Phew, Thorn Pope’s Jesus among organic farmers, guarded by Russian irregulars” sighs another visitor, yet another feels more “Satanic Franciscans in wild Kurdistan” recognized. There are also initial enthusiasm about the director: “a study of pathological belief superb” The staging is, a user would be
Tomorrow at this point about the new Bayreuth “Parsifal”. .
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