Beautifully done differently. At this bony face actually nothing works. The enigmatic pinched, gray-green eyes blink wrong and lie deep in their sockets. For the arg gehöhten cheekbones many women would kill. The nose is podgy times, then it works again narrow, proper form it has not. The mouth is too large, the lips are too thick. The skin is alabaster pale and freckled, to parchment so thin that it now, just 33 years old, a lot of throwing too many fine wrinkles. And yet one attaches itself firmly to this incredibly moving, expressive intense face. You literally glued to him.
No wonder that the English actor Eddie Redmayne the man of the moment is. The Oscar – Excellent for Best Actor 2015 (as astrophysicist Stephen Hawking in “The Theory of Everything”, from youth to hard disease subscribed) can just play anything. Of course, a woman. Not that he would necessarily act androgynous, he would leave his beard and girls Hipster Boys with decorative hanging pants in our town centers; he’s just versatile.
This lanky body is everything in these traits can project his everything. Or aufschminken. A little lipstick, some Lidblau, a touch eyelashes black. And already is a beautiful young lady image of a Danish painter. And despite the Twenties ambience without a hint of Charleys Tuntentante: Cloche, pearl necklace and hanging dresses stand him / her well. But internally needs to happen even more. So surgeons cutlery is unsheathed: From Einar Wegener is Lili Elbe. The dies as a result of her gender reassignment.
All very aesthetically
The case is genuine. Lili Elbe really lived, one of the first people she let carry out this serious intervention. The Danish king even canceled their marriage, she received a new name officially securitized. Their fate has put down in writing, the short, liberating happiness of her now biologically true identity she could certainly enjoy only until September 12 1931st
What a movie could be that! Especially now, when the interest in transgender issues and intersexuality meandering large and somewhat sympathetically by all media channels. Especially since the story of the true Lili Elbe is much more complex. She was born with both male and female organs, their wife Gerda Gottlieb was, although twice married, at least bisexual, probably lesbian. In order to live this strange two covenant better went the pair into sittenlockerere Paris, where it was just as notorious for his non-conformist way of life as for its images.
But all this can not be seen in Tom Hooper’s “The Danish Girl”. The film indulges in highly esthetic, balanced images, cool illuminated in their nordic minimalist interiors of the painting contemporaries Vilhelm Hammershøi remembering that a seemingly harmless artist marriage trace as an isolated idyll around the turn of the century in leisurely rest. Sure, he is highly valued for its pleasing landscapes, it must prevail especially as a woman against the art world with her just yet fashionable Art Deco style of portraiture only. But you have good sex, sleeping long, breakfast extensively.
Where is the bomb?
But then , a female model has failed, Gerda man jumps as a substitute. For a brief moment it crackles on the screen when Einar with sensual shiver clips silken stumps, expresses itself in the folds of a dress and sunk. We believe Eddie Redmayne necessarily this rapture of lust and the frightened doubt (the real Lili Elbe has so never felt that knew much earlier communication about himself), his face is a landscape of conflicting feelings.
Gone. A moment later he wears completely natural ladies’ dresses. He is now his own wife. Although not biologically. First secretly, Gerda to terms komplizinnenhaft quickly, the new Lili uses as fascinating template for their fast more successful pictures. It seems as hechele directing their figures always short of breath afterwards, without catch up to the abrupt, deadly conclusion in the form of Sebastian Koch as a surgeon.
Although they are not actually required in the least, flagging interest in their characters quickly, the two protagonists are worth this brave to its socio-political and geschlechtsdiskursiven explosives anxious herumeiernde biopic necessarily. Alicia Vikander, proclaimed as the new It-Girl-Acting, looks so fresh life like Danish cow’s milk, blows with their shimmering vitality almost the noble purposes of this discreet Histo Still Life. And Eddie Redmayne is especially transcendent, not transgender, a sensitive Strahlemann which exudes as a woman fairy glamor.
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