What do you want us to tell the scriptwriters
Christian repentance?: Hurrah! We must a scene -Plot build Jürgen Vogel around! The actor is the third time as an episode starring in a Odenthal crime there. Here he now leads as a former Geldeintreiber his considerable body through the unansehnlicheren corners of Ludwigshafen walk. The great thing: Although the plot is mau, you look like him to it. Between purchase house ruins and decayed railway underpasses bird acts very reasonable: with the charm of a wrecking ball.
Lars-Christian Daniels: you want Chief Superintendent Mario Kopper (Andreas Hoppe) actually becoming a lot better than his colleague Lena Odenthal (Ulrike Folkerts) and the new case analyst Johanna Stern (Lisa Bitter)? Then we have bad news for you: Kopper is now no longer the second main character, but only Sidekick. His only two tasks: driving the company car and mediate between his bickering colleagues who shoot up 90 minutes with verbal poison arrows. Exhausting, tried – and unbearably long stretches.
Markus Ehrenberg: Never trust the pharmaceutical industry. Especially when they alert so therefore comes as personified by chemists and wannabe dealer Mark Moss (Christoph Bach).
Kirstin Lopau: It was not tired, it repeatedly emphasize that here fight “Old School” against “New School” , These words were so many times that I want to scream. So Odenthal struggling with her defined biceps and their street experience vehemently opposed to star with her cell phone and tablets (old versus new). Stereotypes about stereotypes. Yawn. But the criminals are divided into Old and New School: The good old Geldeintreiber from the milieu is fighting against the Yuppie with a criminal past who wants to ascend to the Executive Board of a chemicals giant. Even more yawn. Only Jürgen Vogel saves something that Hahnemann büchene story about drug money and old boy.
How convincing Commissioners
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Christian Buss: 5.
Lars-Christian Daniels: On average 0 Points: Kopper: 1 point, Odenthal 0, rating: -1 point.
Markus Ehrenberg: Eight points for Ulrike Folkerts, alias Lena Odenthal. You may argue in this episode, perquisites, love, playing lone wolf. The SWR has finally Folkerts (Dagmar Gabler) and a strong opponent inscribed on his body in the 26th year of scene -Employment Yet another book: Jürgen Vogel as abysmal, lovable bad guy Lu.
Kirstin Lopau: Odenthal seems to have overcome its crisis, but remains dull: 5 points. Stern this time totally annoying: 3 points. Kopper finds it never happened. Had he more than 3 sets? 2 points.
Our critics
Christian repentance is culture editor at Spiegel Online and writes there regularly on the scene .
Lars-Christian Daniels discusses on his blog What was the scene? and the online magazine Screenrush the scene and other TV -.. and movies
Markus Ehrenberg’s media editor at Tagesspiegel and writes there regularly on the scene
Kirstin Lopau is Time Magazine -Leserin and one of the most opinionated commentators at our Sunday scene -Diskussionen on Facebook.
What is your favorite scene
Christian Buss: As Commissioner Odenthal during an interrogation bird melancholy Ex- racket comes close, he examined her tenderly also tattooed arm: “That is a well-trained biceps.” Later, when the police officer electronically decreases his fingerprints, he sighs: “It’s a long time since someone has touched me.” A macho looking for pats.
Lars-Christian Daniels: “Mon dieu, Commissioner, to you the test of time but also has gnawed!” – Ingrid van Bergens Gastsuftritt is the only bright spot in this disastrous over long distances scene . In the role of perky Charlotte says the former jungle camp-inhabitant of what the SWR apparently did not want to admit: Odenthal & amp; Co. are already for years on the way out, the hinterherhechelt the rest of the crime series high miles.
Markus Ehrenberg: Multiple: Odenthal and Lu – Look into my eyes. Since crackles’s because two have found.
Kirstin Lopau: We’re at the first crime scene, in front of the man of the Spusi is a previously unidentified corpse. He: “. It has only the identity Technically kapudde Billischhandy that we have yet had to check Sonscht looks at the tattoos and gold teeth like a Sergej or Sascha, so something Ostmafiöses.” Yes, so easy it is in this overloaded with clichés scene . He was right.
What is the most embarrassing moment?
Christian Buss: The eternal pasta cooking Commissioner Kopper, who will be without roommate Odenthal now she asks during the investigation, what would she eat now. Last twitches a TV-WG relationship that has lasted far too long.
Lars-Christian Daniels: This scene chasing – as so often in Ludwigshafen – an embarrassing moment the next. Is it the annoying chatterbox Johanna Stern, the impressively exemplifies the Youth Word of the Year and has never encountered as klugscheiß Ender Smombie without smartphone or tablet? Or Lena Odenthal, in a 30-second monologue again summarizing all material facts for the meantime weggedösten spectators after half an hour? Or repeat the slow motion bullet grazed the face of Lu Wolff (Jürgen Vogel), the say the filmmakers and write four times in pseudo-hip video clip aesthetics? I can not decide.
Markus Ehrenberg: When SWR in Ludwigshafen always the moments with the dialects with the people from the crime scene.
Kirstin Lopau: nerve The turf wars and the eternal tail comparison between Odenthal and star. And let Kopper completely perish. Should he out of the scene to be written out? He remarks in one of his few phrases in this scene very correctly: “You notice anything else?” Also, the adjustment of an old murder using the tablets by star is far too protracted and terribly boring. And for good / bad last annoying music, this scene runs through, an intermediate thing from the music of a Hitchcock classic and cheaper muzak. Awful!
Your Appreciation for the result?
Christian Buss: 6 points
Lars-Christian Daniels: 2 points
Markus Ehrenberg: Seven Points: With all the desire of a female Schimanski (Ulrike Folkerts) and an ambivalent villain (Jürgen Vogel) and a surprisingly modern staging (directed by Jobst Christian Oetzmann ) – the revenge story with Lu, still a score to settle with this Mark Moss, but is applied a bit thick at the end.
Kirstin Lopau: 4 points
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