One of the moments in which one it becomes clear that one can conclude confidently with their lives, is the one where the guy who has kidnapped the mask decreases , One sees him. And it will ensure that you see nothing more soon. It’s actually already dead.
In the first few minutes of the BBC series “The Fall” we see a masked man in a rather beautiful and apparently from a woman inhabited house collapse. He hangs a lamp on your wrist and sneaks the dark stairs like Cary Grant Weiland with the internally illuminated glass of milk in Hitchcock’s “Under Suspicion”.
And then he looks around. A shoe shrine is there. He searches the underwear, making knots in the stockings, lingerie sets neatly onto finely made bed and tucked the house dildo underneath. And he always makes images.
We see him. We have the camera. When he was just in the bathroom, he has pulled the mask from the head. And it looked as if she had hitherto hung above the lens. Very irritating. We are it. And we are actually dead, because we know who he is.
Are we not natural. But we stay with him. On his shoulder quasi.
Paul Spector, the man is. What is of course no coincidence. We might know him actually. Paul Spector was namely times Kai Korthals. In a legendary “Tatort” was that the Sascha Arango wrote. “Borowski and the silent guest” in turn was the.
One does not sleep well after this movie
Lars Eidinger was the postman Korthals, the stand-alone in the apartments women got in, looked around, left its mark, things Ground surrounded, played with the children. And the women killed in the end. He did not lose many words about Kai Korthals and how he was as he was, this “crime scene”.
You could not say that you did not like him. That made things worse. At the end he was just gone. You did not sleep well after this movie.
Jamie Dornan is Paul Spector. And who has ever wondered how on earth they would came forward to entrust him with it to play the sadomasochistic entrepreneur Christian Grey in the film adaptation of horriblen horriblen bestseller “Fifty Shades of Grey”, the white for “The Fall”. Indeed, it is by no means so, and the impression one could get in the “Shades” that his mere butt is more expressive than his face.
Dornan namely delivers a pretty gorgeous duel with Gillian Anderson. The time was Agent Scully in “The X-Files”. As they hunted ghosts and was more or less transparent white blouses. Both leads as Detective Superintendent Stella Gibson also continue as Dornan was in “The Fall” start practicing as a family disturbed whip vibrator.
There has needed to “The Fall”, after all, the most successful series, which was produced by the BBC until then in five years, came to Germany in a few years. With a little work cut ZDF has now made two squadrons six Anderthalbstünder. A third season has already been ordered by the BBC. What in itself not a bad sign is yes.
So how do you bring the story Sascha Arango as told in 90 minutes, that is not much more wanted to know (the sequel “Borowski and the return of the silent guest” runs the way New Year’s Day), the six-fold path? It tightened on both sides of the conflict potential, recover any plot lines which are close to one, the allusion repertoire expanded to Horror Murder films in history.
Gillian Anderson makes men crazy
Stella Gibson, for example, have been to Belfast before heading to London. Now it is retrieved when an architect is murdered. It detects connections to an old case. She suspects the serial killer before any of the supervisor is important.
You know the people who are supposed to follow her now, all true character heads by the way. But they are intrinsically, they must – what Stella is too harsh and even their own – to take for themselves. With some it was because it is quite generous, in bed. The team building makes it any easier.
To make matters worse, that Stella is not only sexually, as it is. Actually, she is a man who rollenphänotypisch anyway. A gorgeous, lonely wolf, takes what she needs. What others think they are not interested.
With beautiful, stoic face, she contorts the face even less than Heino Ferch, which is quite something, she runs against every available wall. Only at the end it shows something like being touched. Because there is one of the strangest PIETAS the thriller story.
Again and again Gibson and Spector are mutually cut. And that does not just remain a parallel assertion. Between the upgraded, easy washing compulsive, well scented investigator and the sinister man pulling backpacking through the streets, runs what.
But while Kai Korthals, the postman of death, perhaps because was so threatening because he was a palpable ghost, without history, without a trace, having Allan Cubitt his family dysfunctional family therapists almost pulled over a fatsuit of personality. Difficult wife, devastating childhood, frightened woman image, stalked by a babysitter who makes him her erotic guru, giving him not bad like.
sympathy with the devil. Makes a kirre
a strange sympathy for this ill double beings you can still hardly resist. That was when Arango way. That makes a very tame.
So, the plot lines entangle (a friend of Stella then also disappears, and it is necessary to save a life), grow very realistic, sometimes tough police and accurately cut Psychothriller together. Cubitt poaching not only in Arango, but also in “The Wire” and especially in David Fincher’s serial killer classic “Se7en” and “Zodiac”
A city of violence, trauma -. Belfast
A word about Belfast. This is not the random location, because it was necessary to retract any subsidies. This is a violent, still explosive city. Not only background, but first cause of the violence in this film. The rampant out there, stuck in the souls, the people can be thin-skinned and prone to failures.
And when you hear helicopters flying over Belfast, or sirens of police cars that race through Belfast, that’s just because you bloody Sundays and Orangemen parades thinks and burning streets, still different from what they would do it in Manchester. Very strange. One notices again, how old you are
The case -. Death in Belfast. ZDF, every Sunday, 22 clock
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