Monday, November 2, 2015

Konstanz- “Tatort”: Director criticized for Christmas ARD “Tatort” in … – ABC Online

Monday, 02.11.2015, 09:53
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A Murder the homeless milieu, two commissioners at loggerheads – and all Christmas rush. Director Ed Herzog has the new Lake Constance “Tatort” staged. In an interview with FOCUS Online, he explains why he wanted to see in times Zoff investigators. And he criticized the early broadcast date of thrillers.

It was the third last event for the Bodensee commissioners Klara Blum (Eva Mattes) and Kai Perlmann (Sebastian Bezzel): A young mother is in the homeless Milieu slain. Your baby freezes to death at the scene at Constance Rhine almost – by an error Perlmanns. This leads to the dispute of the investigators duo. And all this takes place in the Advent season. FOCUS Online spoke with director Ed Herzog of impending From Konstanz commissioners, the reasons for their trouble and the premature broadcast date of thrillers long before Christmas

FOCUS Online:. The Murder Scene at the beginning is reminiscent of a horror film. Wanted to create a real shock moment

Ed Herzog: I did not now specifically a shocker, but the film lives so otherwise of the action. And what little there is of violence, I wanted to also make physical experience. That should have effect. I am not interested to a lurid depiction, but violence represent so that it not hurting anyone, is also not entirely true

FOCUS Online:. This “Tatort” primarily intended the strong conflict between the two Commissioners and their word strong confrontations, Blum says once Perlmann: “You’re a pain in the ass.”. Are these the first signs of disintegration of the duo, the yes 2016 adopted from the “Tatort” series

Herzog: No, not at all. This is now perceived. But we all have, both the performer and I only learned during the filming that the format will expire. For Eva, there was for some time the idea that she wanted to stop

FOCUS Online:. Why are the two commissioners in this case, then so irritated with each other

Herzog: It’s my third Bodensee- “Tatort,” I know both very good performer. They may privately eerily like, are very harmonious with each other and have a lot of fun when turning. I had the feeling that it is transferred to their roles in such a unpleasant way that they have become each other so little friction.

The screenwriter Wolfgang Stauch, with whom I already ahead much discussed, has the story then written so that there could be between the two conflict. Because if you is working closely how the Commissioners and faced with so much violence and misery, you just go up and sometimes on my nerves

FOCUS Online:. Does Eva Mattes and Sebastian Bezzel this conflict then made fun playing

Herzog: Not necessarily. So Sebastian Bezzel it was fun, because he has a problem in the Lake Constance “crime scenes” that he has not much to play. That was different. But Eva Mattes it was a bit harder. They had to because I hinschieben more that her tone a little sharper. She tends to show a softer side of Klara Blum. That is also likely the figure, as we know it – understanding and not snotty or rude

FOCUS Online:. The next case so it could again be very harmonious between Commissioners ?

Herzog: I do not think so. I know the two directors who make the last two films. We talked a lot. I think this is now no longer go back to the cuddly rail

ABC Online :. Does the fact that the end for the Konstanz- “Tatort” was announced during the shoot, complicates the work? This has certainly caused a considerable stir yes

Herzog:. Eva and Sebastian itself nothing have let on. They have continued to work as professional and fun. You can separate very well. Man did indeed anyone a favor if you do your work muffelig

FOCUS Online:. Sebastian Bezzel had shortly after it was announced that the team will stop in an interview said it was okay for him, because it all – are not getting better – including himself. Would you agree with the

Herzog: I would not say so. The performer can indeed only play what they get to books and what pretend the transmitter and the editors as a line. The only thing they can do is that they are fighting, criticizing certain substances and so on. I find that the sender simply had no more imagination more with the two. They are a bit asleep in routine, and some cases I found really not good. That’s for other teams too. But since the performers can not help it. For fourteen years, the two have successfully determined, that’s not so bad

FOCUS Online:. “Côte d’Azur” is yes a classic Christmas “Tatort” – with Christmas markets a murderer in Santa Claus costume, a decorated police station – and at the end wish all a Merry Christmas. Why this crime is running on 1 November

Herzog: It was originally scheduled for a Sunday of Advent, but I got then an ARD meeting the news that he has been brought forward to 1 November was. It was said that there had been problems with another “crime scene”. I’m really very sorry about it, because I think the film works better if you wear the Christmas spirit and this supersaturation at Christmas rush as spectators already in itself. That is very unfortunate. I did not understand it and anyone who sees him, also says, comic, so early ‘

FOCUS Online:. You have tried again original for insert date

Herzog: Yes, I did. But there were transmitter internal reasons

FOCUS Online:. Do you have for this crime actually researched in the homeless scene

Herzog: Yes, we have actually. We were in Konstanz in the Homeless. This was totally interesting to me. I then really seen the world of the homeless otherwise

FOCUS Online:. To what extent

Herzog: I had only ever perceived the homeless who have a massive alcohol problem, massive psychological problems and are neglected. But these are only some of the homeless, who are thereby greatly outwardly visible. But a lot of people who live in homelessness, trying not to attract attention, also from a sense of shame. You can be fitted in the closet, take a shower in the Obachlosenhilfe, wash and do not fall on.

The employee with the Homeless in Konstanz also told us, for example, that proper alcohol problems have only 30 percent of homeless people in them. We have tried to portray in the film that there are very different cases. That was important to me

FOCUS Online:. How did the shooting were with the baby so plays a central role

Herzog: They were in fact extremely difficult. We have parts rotated at a specially made doll. For some settings we needed a sleeping baby. And our baby was really great, but it’s not for hours asleep. I am therefore once went to shoot with the camera man specially to parents back home, there to shoot the sleeping baby. The rest we have then achieved via the interface.

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