It was bound to happen so: After the surprising and quite refreshing success of “F * ck You, Goethe” now runs the second part of. Why?
Even bang batch Chantal (Jella Haase) acts in the second part of “F * ck You, Goethe” just cute. | © 2015 Constantin Film Verleih GmbH / Christoph Assmann
How is that with the continuation of an audience success, you would have already be able to view the eponym: was Goethe’s Faust a real firecracker, but who is bitteschön come on the first ten pages of the second part of the tragedy beyond? But the logic of capitalism has its constraints and merciless laws: Bora Dagtekins Comedy F * ck You, Goethe was the audience favorite of the movie 2013 and a fairly refreshing surprise one at that: Sure, a little over-orchestrated and teenager in the mimesis Hartzer language no longer so terribly original, but a well-aimed blow against both educated middle education fantasies and against educational dreams of the so-called comprehensive Resozialisierbarkeit uneducated. Result: More than seven million viewers, and the cult status to all members of the class 10b of the Goethe-School, first and foremost for their involuntary teacher, the ex-con Zeki Müller (Elyas M’Barek) and for the upper Goofy Bratze Chantal (Jella Haase).
part two had come. Just two years it took. The cast is almost identical, including Katja Riemann, as ill-tempered headmistress might itself is as close as ever. The result is worse than feared. That the action of part two is still hanebüchener than the already outrageous action of part one – paid. That’s not going so well. The 10b is sent on a school trip. And to the hated Schillergymnasium to make funding for a social project alienate, it has to go to a place where there is something to tackle. So not the Robben project on the North Sea.
That it then a Thai coff is results from the unfortunate circumstance that the rest of Zeki’s loot accidentally donated will eventually end up there. Zeki has to go in order to save the diamond; Class comes with. As the rate of disabled autistic Etienne is loaded with the plane whose Actor Lucas Reiber forms the only saving grace. From now on, the script Maschinchen runs like clockwork: Klassenbesäufnisse in Thailand Table Dance bars along with pussy-pong, a couple with coconuts throwing around monkeys, the eternal rivalry between Schiller and Goethe students and their two teachers and a couple sometimes more, sometimes less successful rhetorical Chantalismen in beach setting.
Everything still spontaneous, surprising and anarchic came along in the first part, now degenerating into mere routine. The swear words and insults fly every minute through the air: “Group asshole”, “freak”, “face”. You look still not even doing on. Runs by itself, built at Gröhlgarantie Fanpublikum, no longer needs to do to you. Unlike part one, however, lack the corrective, the contrast: Wolkenkuckucksheim-educator Lisi Schnabelstedt (Karoline Herfurth) is forced by a student prank, to stay at home. This saves the spectators though plenty of pesky Augengerolle behind the glass spectacles like the first part, but makes the other hand, that the good of the other side has to come into the world, namely by Zeki and his proles clique itself.
Here begins the real problem of F * ck You, Goethe 2 : The fools are allowed to stay no morons. Every effort must be good, socially and ever. And so pours the latest after 60 minutes an almost unbearable Wohlfühlpampe on the Thai Chaos Scenario. A miraculous healing in a sense: Zeki discovered the pedagogical Eros and becomes the moral preacher who holds lectures about giving and giving back. Disabled people are included, fallen East Asian street children returned to the right path and the parents believe in the home via SMS from the fact that they actually quite, have really great kids who are just a bit off track.
In addition to his politically incorrect comedy in principle the first part had also something deeply disturbing: He showed that something grows, which can be controlled by the system no longer, but only by one who had himself been positioned outside of this system. The scum was among us, and he wanted to keep to themselves. F * ck You, Goethe 2 pat this threatening potential return on Erträglichkeitsmaß. Chantal & amp; Co. have become cute figurines, bang batches that have made their peace with the world and down and play at their teacher again a funny prank. So they no longer differ from the Pauker films of the 1970s. Now we are waiting for part three. Then no longer with Uschi Glas, but with Hansi Kraus in a guest role.
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