Crime Scene column – be reasonably – Süddeutsche.de

Follow 18/2015, Commissioner Faber: The popular investigators has arrived, with himself, with the spectators. And researched this time between the airport and tennis court.

By Holger Gertz

Commissioner Faber was taken up times as madman, his baseball bat belonged to him as – in the Peanuts – the security blanket to Linus. Sometime smashed Faber scrap cars and his desk, but the madness had indeed method. Author Jürgen Werner sat five scene -Follow time to develop the character of its commissioner, which was bold and new. The man who so much hurt, proved to be a man who was injured. Half his smile out of the four days bearded face looked from a certain moment on no more cynically, but almost warm, and eventually came even be stinking coat in the laundry. He was – as you said, the sooner – become reasonable. The rehabilitation of the investigator, played by almost faber liable Jörg Hartmann, like the audience, he is the heart of many viewers Commissioner. In Dortmund they call something so genuine love. As a result, “Weightless” Faber plays tennis, as do the new arrivals now time, however, he plays at night, and he plays on courses that are watered while he plays. In between and during interrogation he ditscht permanently the tennis ball on the floor.

A base-jumper, crashes his parachute had been tampered with. A quiet, yet exciting narrated case, classical structure: Who had motive? The Gekabbel colleagues Nora (Aylin Tezel) and Daniel (Stefan Konarske) with Eifersüchtigmacherei and control eyes bugging, however, enormous. As in life: If one ever talks about his on-off relationship that can eventually also no longer hear. After an hour’s flight Nora looks quite like the early evening in the area and breathes vigorously and feel so much. Lost and arrive back with him, that’s the Leading Idea this episode – sometime you have but then realized it. And Springer are scalded so noisily. If a crash? “Then he burns at the height of his freedom.” Yes now. One of them looks like Marcel Schmelzer, BVB.

Faber acts silenced in this episode of Züli Aladag (Director) and Ben Braeunlich (book). He comforts the son of the crashed Springers and bring him out of the hospital room where the ventilator makes it so horrible noise; like a machine that dies. One notices: Faber is also quietly very moving. However, if he is in his usual clothes down before the rusty walls of industrial ruins, he is almost one with the background. That’s what happens when one has arrived. Next time hopefully it breaks again.

ARD, Sunday 20.15 clock