Saturday, December 26, 2015

Classic Cologne “Tatort”: Catch Me If You Can – n-tv.de NEWS


 Entertainment

 

 Saturday, December 26, 2015

 
 
 

  From Julian Vetten
 

 

 
 Schenk and Ballauf chasing a phantom – and with it a turn after another. For Boxing Day served the WDR a thriller classic style. Within the ranks of the just so trendy experimental consequences which is a real gamble.

 

 
 

Karsten Holler is dead. At least officially, because what else happens to be one who disappears without a trace in the desert on a Sahara tour with his former best friend. To feel that something in the story can not be true, given years later that very friend and business partner first: The drives namely bloated and quite dead in the Rhine in Cologne. Freddy Schenk (Dietmar Bär) and Max Ballauf (Klaus J. Behrendt) to solve the murder at the corpse and encounter soon after on a tax-CD of Cologne Tax Office on a dubious numbered account in Switzerland. As dead as it seems, Holler is probably not

The newest Cologne “Tatort” is over long distances a thriller of the old school:. The makers dare not witty experiments like in Wiesbaden, do not attempt at a ” Die Hard “-Abklatsch as in Hamburg and also tackle any impending Politika as the Dortmunder investigators. This is something that viewers can enjoy on Boxing Day in a thrilling plot, clean investigative work and a few unexpected turns.



An exciting event for crime lovers

Visual is the instrumental in the perspective that ” Uses “occupies: The camera follows almost exclusively Schenk and Ballauf while poking around in the dark. The deeper the investigators delve into the case, the clearer it becomes that the phantom which they hunt, like a chess player always planning several moves ahead. And just like the game of kings Holler seems all persons who are in contact with him, such as figures on the field to use according to his will – from his ex-wife who inherits the millions on the numbered account, about former business partners or the panting for love customs officer that by waving his dirty business.

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Quite as clear as everything seems to start, it is but then not: Most protagonists have a motive, and again puts director Dagmar Seume false leads, precisely like a well-made classic thriller. Especially towards the end chasing a Twist the next – whoever has not exactly taken care of during the course of the episode, easily falls into a spin

It’s a bit paradoxical: Much as you had wanted a few years ago. that the “Tatort” finally leaves the fairway of the Conservative Crime entertainment, so refreshing is “used” in the ranks of the experimental consequences now therefore. It is certainly not an episode that is stuck in the collective memory – this is probably the Murot- “Tatort” “Who am I” make it a day – but it is an exciting event for crime lovers. Although Schenk and Ballauf see the well differently: your Currywurst tribe Bude has namely still closed

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  Source: n-tv.de
 

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