Saturday, 03.12.2016, 13:55
A dilapidated gym with broken Windows, dingy walls and Neon lighting, on the floor, colorful mattresses. Hesitantly, some of the people are European-bourgeois type, the women, dressed partly in aufgemotztem Chanel-Look of the 1970s.
a fat man in a Donald-Trump-optics (Josef Ostendorf). Immediately the new arrivals make to each other, the mattresses in dispute, on which they settle, while someone plays on the piano in a fleet melody. “I welcome you in private special clinic for anxiety, Depression, and psychosomatic disorders,” says a feisty older Doctor (Irm Hermann) from top of rotating gear.
The hospital have rented the hall “due to the large demand.” And soon rowdy guards start with the obvious immigrant – the later the sport animators – with the treatment of your tired, nervous and egocentric patients. The intone with the tongues of angels singing numbers from Brahms’ “German Requiem” and Beethoven’s “Freude schöner Götterfunken” up Baccarat “Yes Sir, I Can Boogy”. All of Burnout-suffering people, whose thin cultural layer of paint will flake off over your poorly-disoriented Inside more and more. The star Director Christoph Marthaler looks at the Means of other one in the age of the refugee crisis in his political satire “The Wehleider”.
At the premiere on Friday evening in the not-quite-sold-out Deutsches Schauspielhaus Hamburg, the 65-year-old Swiss got applause, but also Boos and whistles. First and foremost, many had exhausted in the audience – and not only in the clearly felt here length of almost two and a half hours. Especially in terms of content, much of it remained striking in the performance, to let the Marthaler and his dramaturg Stefanie Carp more generally, of Gorky’s late citizens of the classic “summer guests” from 1904, have stimulate.
Also, stylistically, was hardly to be experience powerful. Because in addition to the well-known Marthaler ingredients such as the impressive-old-fashioned equipment of Anna Viebrock and the members of his acting family, which also includes Bettina Stucky, Jean-Pierre Cornu and Clemens Sienknecht, cited the theater, the musicians here.
situation of a kind of Dominatrix who conducts a group of social representatives, will Already be in the ground like a Rehash of his Hamburger stage hits “The Zero hour or the art of Serving” from the year 1995. Also how the actor Cornu Nivea cream stuffs extensively in the mouth, was to see already. And the beautiful Gospel “Throw Out The Lifeline” was already want in Christoph Marthaler’s acclaimed “What is your”Interpretation, 2001 at the Schauspielhaus Zürich is a hit. The more substantial criticisms of his analysis of society is likely to be that you’re bored with the superficial platitudes of long – and finally, a hardly-thought-short-world-dystopia anpappt.
As it has in the PCs method, the nameless, about Yoga and Eco-Food staple characters with everyday phrases to characterize. The mono-logical contradictions such as “The European man is human and his story is good”, “I’m for an open society. But I want to do, personally, have nothing to do” and “Since I my second had to quit, I have every day, nagging headaches” to ironic debunking. They provoke because of laughs, but contribute little to knowledge.
In the course of the Evening will be taken to the private clinic of a global group. At the end of the Director outlined a future Tribunal in front of a world court: a Stuttering decision-makers of a former Europe, responsible for a gigantic humanitarian disaster.
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