Tuesday, December 13, 2016

New Star Wars Episode “Rogue One”: The Parallel Universe – Daily Mirror

Star Wars Creator George Lucas has claimed, to create a world of their own “in a galaxy far, far away”. But it was in the cinema say actually, only the family strife of the Skywalker’s, the eternal struggle of fathers and sons, who want each other to draw on the good or evil side. The Oresteia in the Hollywood format. Only now, with the “Rogue One”, which starts on Thursday in Germany, the cinema myth of its own internal history supplied. Because the Film adds to the legend, an interesting piece of the Puzzle.

The plot is in front of Episode IV, to be more precise: before the Ur-Moment of the space Saga, since its Creator George Lucas in 1977 was a space ship by a giant star cruiser through space to hunt, aboard Princess Leia, who’s gonna stick just before she is caught, the small druid R2D2 is an electronic message. It is learned that the beginning of all was a disk. How the secret information was in the hands of the Princess, had to be interested anyone. Because soon, had to slam Luke Skywalker with the idiosyncratic technical unit. The Rest is cinema history.

A Star Wars movie without Jedi-knight

Every child knows since how powerful the Empire is. That Darth Vader is an evil Art is powerful and his son on a good. The death star is still powerful, and “the Power” the most powerful of all. But you get the the consequences of subjugation, violence, and arbitrariness in the case of Star Wars in front of your eyes?

Darth Vader, this dark, black knight, can strangle subordinates through the power of his will, and without that he would have to touch. Wherever the Imperial storm troops to land, they leave death and ash. And once you hunt down the planet Alderaan, thanks to their super-weapon, like a cosmic firecracker in the air. But the technical Superiority is always fraught with the taint of spiritual blindness. The Jedi weigh in on that, and as you can see in the old “star wars”episodes never, what it’s like to be really a chance.

In “Rogue One” from Director Gareth Edwards (“Monsters”, “Godzilla”), there are no Jedi knights and no telepathic counterpart to the military development of the Empire or of the First order, as you like, always hot. The feeling of hopelessness takes up a lot of space. And it makes a lot of martyrs. This is a depressing turn for the originally created by George Lucas in the spirit of optimism created the Star Wars mythology.

Jyn Erso, played by Felicity Jones, is the main character in the space epic “Rogue One”.photo: Disney/image.net

Lucas all rights to the brand of Star Wars for a multi-billion sum to the Disney has assigned the group, diligently crafted, this universe with its iconic characters and conflicts further. Similar to the branches of the Marvel universe, the year produced for the year, at least two movies, and astronomical revenues generated. Alone in 2016, played in “Captain America: Civil war” and “Doctor Strange” in the world at 1.8 billion dollars. Originally Disney wanted to come up every year with a Star Wars Story, ten further films were planned, it was the first. But the effort, the level of the Star Wars mythology requires, is probably too large.

Episode VII was plenty confused, but extremely successful

Last came the end of 2015, the plenty of kinky epic “awakening of the Power” in the cinema, a sequel to the events of Luke Skywalker, aiming to Free an unclear future, and the distribution of power and a number of new characters such as the heroine of Rey introduced. With over two billion dollars in Episode VII, played and recorded the highest individual result. The second part of this trilogy is announced for the end of next year.

With the “Rogue One” is now added an in-between Chapter. The construction of the death star is completed. But the daughter of a weapons designer and some of the companions want to steal the plans of the battle of the planet, to its weak point to exploit. The Film, named after the cargo ship as a Trojan horse penetrates into the Innermost of the Imperial domination in architecture, not in the width, but tells of this command action.

the Central building blocks of the Saga are woven Deftly into the plot: the crypto-fascist arrogance of the Empire, the air battles with swirling swarms of combat gliders, the last of the caves, as the space bases appear on any of the moons. A lie detector, therefore, comes as an octopus, to Ekligkeit self-Jabba the Hud is still in the shadows. Even trusted figures such as Supreme commander Tarkin to diving thanks to the digital reanimation technique. But Rogue One signed “” a bleaker picture of space war as the Skywalker trilogy of trilogies.

“Is hope all we have?”

The telling of the Corruption of Talent. The Power is now, is not based on the inner struggle of a hero. The main character Jyn Erso (played by Felicity Jones) always knows what is right. And it is the same with the other protagonists, the connect your. Conflicts emerge, rather, from within the rebel Alliance, when it comes to the question of how radical the means of resistance may be.

A particular far. Saw Gerrera (Forest Whitacker) is the extreme preachers of violence, perpetrated attacks, and no conservation knows. That there are now scenes from an ambush, Baghdad, and Afghanistan think of to attract insurgents like Arabs, dressed in the IS-fighters are similar to that, again, good soldiers are wearing their helmets so careless how American GIs in Vietnam, a fortress city, like Aleppo, it was once razed to the ground, shows Edwards' ambition is to Star Wars for the store of Images of the present. But it’s a dirty actuality is that pessimistic. “Is hope all we have?”, a constantly recurring question.

in The end boils down to the “Rogue One” to be just a war movie, with the beautiful the Pointe, a data leak decides everything. In order to get to the Blueprint of the death star, shoot the rebel groups to Jyn Erso the way to the Imperial Central archive. You know that you will make it in the end. However, a tremendous power of destruction is the opposite of success. Edwards staged several times as the apocalyptic slow-motion spectacle, brighter than a thousand suns.

LikeTweet

No comments:

Post a Comment