Monday, February 1, 2016

Review of the Dortmunder “Tatort” – Faber comes into brooding – Süddeutsche.de

Why the eccentric Commissioner suddenly no longer understands his job – and all spin. The “Tatort” -Nachlese.

column by Carolin Gasteiger

This is what:

At the Port of Dortmund the body of a top manager is pulled out of the water. Commissioner Bönisch knows the dead of a case 14 years ago. At that time, the little son of Max Dehlens was missing – and never found again. Now Dehlens is dead. In Bönisch memories come up, to the heat of summer and the missing Tommy, who was never found. Her own son was seriously ill, perhaps she should leave the case. Even Commissioner Faber comes to brood and eventually completely out of balance, due to the simple question of police psychologists: “Why did you become a policeman?” Why, indeed

Here you can read the review of SZ scene critic Catherine Riehl:?





” Tatort “from Dortmund And again, a child lost

In case of new Dortmund things sometimes fit too well together. Too bad, because this “scene” would actually be a decent thriller.

Significantly dialog:

Martina Bönisch and her colleague try Faber at the port, to reconstruct the crime. But Faber pulls somehow not with him is something else through my head

Faber:. Why I’m a policeman, has the shrink in demand. Suddenly I come ‘no longer clear. I fish the uninjured first out of the water, I can not empathize. Nix, empty

Bönisch:. Because of this a question

Faber: Well. What’s it like when you do a bumblebee clear that they actually can not fly

silence

Faber: How did you mean by that? -. “stupid, lucky”

Bönisch:? Do not you know that? A memory suddenly or a photo from earlier – music, a smell. And suddenly you know: Because, at the moment, because I was happy. But then one has not noticed. Had, then maybe something would have been different. Better. . Maybe

Best scene:

Faber is with Eva Dehlens in their garden, seen through the open door, the two Martina Bönisch on the Street in front of the house. Bönisch plaguing the bad conscience, every time it confronts Eva Dehlens. And Faber loves to provoke. When he would say to himself, he whispers Dehlens to: “Someone must have guilt, how shall I bear it otherwise” and are Dehlens his pistol in his hand. Kameraschwenk on Boenisch. He continued: “I have lost my child.” Dehlens’ hand lifts the gun, aimed and trembles. If they really pull the trigger

The best spectator Comments:

Top:

Faber and Bönisch accepts the case with fairly. Both fight in their own way with their feelings and move closely what director Stephan Wagner captures fine and touching. Especially Faber who likes loud rumbles outwardly is quite tame at once when he is with Bönisch alone. How close the two are now, culminating in “Dog Day Afternoon” in the momentous question of the Commissioner of his colleague (!): “How well do you think I am?”

Flop:

The event takes place in the heat of the so-called monkey dog ​​days – and can turn by everyone involved. A bit too much, even for Dortmunder conditions. Nora Dalay and Bönisch zicken at, a little girl lights up and Faber Daniel Kossik skin a pure. Bönischs pointed remark: “Department Neanderthal.” We can only hope that the next event takes place in the autumn and tempers calm down

Best Performance:.

Maren Eggert know fans are smart assistant and future fiancee of the Commissioner in Kiel scene . In “Dog Day Afternoon” it plays the troubled mother Eva Dehlens – and alternates skilfully between desperation and ruthlessness

The realization:.

From his identity crisis finds Faber out first, as a tangible misfortune happened – and he can convict the offender. Without manhunt Faber can not, until he is himself, even if he still missed so much his family

The final punch:..

Finally comes the Rain. As the true culprits, it is clear it thunders mightily and all turn our gaze upward toward the sky. Hopefully the one hand, facilitates the other. Faber does the end of the heat particularly well, he walks in the rain continued – directly to the psychologist. Must go on, sort of.





“Tatort” commissars Overview Who determines where the tricks?

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